[XXe SIECLE] G. di San Lazzaro [editor]: XXe SIECLE: PSYCHOLOGIE DE LA TECHNIQUE [CAHIER D'ART BI-ANNUELS PUBLIES SOUS LA DIRECTION DE G. DI SAN LAZZARO]. Paris: Cahier d'Art, Mai-Juin 1959.
Aarons, Slim: A WONDERFUL TIME. AN INTIMATE PORTRAIT OF THE GOOD LIFE. New York: Haper & Row, 1974.
Art Directors Club of New York: ART DIRECTORS 20TH ANNUAL OF ADVERTISING ART. NYC: Watson-Guptill, 1941.
Art Directors Club of New York: ART DIRECTORS 22ND ANNUAL OF ADVERTISING ART. NYC: Watson-Guptill, 1943.
Art Directors Club of New York: 24th ANNUAL OF ADVERTISING ART. NYC: Watson-Guptill, 1945.
Art Directors Club of New York: THE 27TH ANNUAL OF ADVERTISING AND EDITORIAL ART. NYC: Pitman, 1948.
[Albers, Josef] Eugen Gomringer [Editor]: JOSEF ALBERS. SON OEUVRE ET SA CONTRIBUTION Ŕ LA FIGURATION AU COURS DU XXE SIČCLE [Josef Albers. His Work as Contribution to Visual Articulation in the Twentieth Century]. Paris: Dessain et Tolra, 1972.
Alfieri, Bruno (editor): LOTUS 3 | 1966-1967 [An International Review of Contemporary Architecture | Rivista internazionale dell'Architettura d'oggi | Revue internationale de l'Architecture contemporaine]. Milan and Venice: Bruno Alfieri, 1966.
Alfieri , Bruno (founder and editor): PAGINA 5 [INTERNATIONAL REVIEW OF GRAPHIC DESIGN]. Milan: Societa Italiana di Grafica, No. 5. August 1964.
Aloi, Roberto: L'ARREDAMENTO MODERNO: SECONDA SERIE. Milan: U. Hoepli, 1939.
Anikst, M. [Editor]: SOVIET COMMERCIAL DESIGN OF THE TWENTIES. New York: Abbeville Press, 1987.
Architectural League of New York: ARCHITECTURAL LEAGUE OF NEW YORK FIFTY-SECOND (First National) EXHIBITION 1938. NYC: Architectural League, 1938.
Architectural Record: RECORD HOUSES OF 1958. NYC: F.W. Dodge Corporation, 1958. First edition (Architectural Record Mid-May 1958).
[Arts et Metiers Graphiques] Charles Peignot: ARTS ET METIERS GRAPHIQUES 49. Paris: Arts et MĂ©tiers Graphiques, 1935.
[Arts et Metiers Graphiques] Charles Peignot: ARTS ET METIERS GRAPHIQUES 55. Paris: Arts et MĂ©tiers Graphiques, 1936.
[Arts et Metiers Graphiques] Charles Peignot: ARTS ET METIERS GRAPHIQUES 57. Paris: Arts et MĂ©tiers Graphiques, 1937.
Architectural Record: 82 DISTINCTIVE HOUSES FROM ARCHITECTURAL RECORD. NYC: FW Dodge, 1952.
[ASPEN] Phyllis Johnson (editor): ASPEN MAGAZINE Volume 1, Number 1 - The Black Box Issue. New York: Roaring Fork Press, 1965.
Bangerter, Walter and Walter Marti: TYPOGRAPHIE. Lucerne: W. Bangerter, W. Marti, 1948.
[BASELINE] Daines, Newell and Sorrell: BASELINE 10 [THE CASSANDRE ISSUE]. London: Esselte Letraset, 1988.
Bass, Saul: Creativity is Indivisible for Saul Bass in PRINT: AMERICA'S GRAPHIC DESIGN MAGAZINE. NYC: Vol. 11, No. 6, May-June 1958.
[Bauhaus Typography] Sandusky and Beall: The Bauhaus Tradition and the New Typography in PM MAGAZINE.Volume 4, No. 7: June-July 1938.
Bayer, Gropius and Gropius [Editors]: BAUHAUS 1919-1928. Boston: Branford, 1959.
Bayer, Gropius and Gropius (editors): BAUHAUS 1919-1928. NYC: Museum of Modern Art, 1938.
[Bayer, Herbert] Eckhard Neumann, Magdalene Droste: HERBERT BAYER: DAS KUNSTLERISCHE WERK 1918-1938. Berlin: Bauhaus-Archiv, 1982.
Bayer, Herbert: GOLDMANNS GROSSER WELTATLAS. Munich: Wilhelm Goldmann Verlag, 1955.
Bayer , Herbert : BAUHAUS EXHIBITION. The Bulletin of the Museum of Modern Art. Volume 5, Number 6. December 1938.
Bayer, Herbert: PM [AN INTIMATE JOURNAL FOR ART DIRECTORS, PRODUCTION MANAGERS, AND THEIR ASSOCIATES]. NYC: The Composing Room/P.M. Publishing Co., Volume 6, No. 6: December 1939- January 1940.
[Bayer, Herbert] Leslie and Seitlin [Editors]: PM and A-D [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P. M. Publishing Co., [Volume 6, No. 1: October-November 1939 - Volume 6, No. 6: Aug
Bayer, Herbert: HERBERT BAYER PAINTER DESIGNER ARCHITECT [Visual Communication, Architecture, Painting.] NYC: Reinhold/Studio Vista, 1967
Beall, Lester [Designer]: BUILDING FOR TOMORROW. Hartford: Connecticut General Life Insurance Company, n. d. [1957].
Belleguie, Andre: LE MOUVEMENT DE L'ESPACE. TYPOGRAPHIQUE ANNEES 1920-1930. Paris: Jacques Damase Editeur, 1984.
[Bellmer, Hans] Sayag, Alan [introduction]: HANS BELLMER PHOTOGRAPHE. Paris: E.P.I. Editions Filipacchi/Centre Georges Pompidou, 1983.
Bill, Max: FORM. A BALANCE SHEET OF MID-TWENTIETH CENTURY TRENDS IN DESIGN [EINE BILANZ UBER DIE FORMENTWICKLUNG UM DIE MITTE DES XX JAHRHUNDERTS / UN BILAN DE L’EVOLUTION DE LA FORME AU MILIEU DU XXE SIECLE]. Basel: Verlag Karl Werner, 1952.
Bill, Max and Tomas Maldonado: MAX BILL. Buenos Aires: Editorial Nueva Vision, 1955.
Binder, Joseph: PM MAGAZINE: Volume 6, No. 4: April-May 1940.
Birren, Faber: NEW HORIZONS IN COLOR: HOW TO USE COLOR EFFECTIVELY IN ARCHITECTURE AND DECORATION. NYC: Reinhold, 1955.
[Breuer, Marcel] Massimo Vignelli [Designer]: THE BREUER COLLECTION. New York: Knoll International, 1970.
[Brodovitch] Grundberg, Andy : BRODOVITCH [Masters of American Design]. NYC: Abrams, 1989.
Brodovitch, Alexey (designer): NEW POSTER: INTERNATIONAL EXPOSITION OF DESIGN IN OUTDOOR ADVERTISING. Philadelphia: The Franklin Institute, 1937.
[Brodovitch] New School For Social Research: NEW SCHOOL FOR SOCIAL RESEARCH ART CLASSES 1941 - 1942. NYC: New School For Social Research, 1941.
Brodovitch, Alexey: PORTFOLIO MAGAZINE 1. Cincinnati: Zebra Press, Winter 1950.
Brodovitch, Alexey: PORTFOLIO. A MAGAZINE FOR THE GRAPHIC ARTS [No. 2]. Cincinnati: Zebra Press, Summer 1950.
Brodovitch, Alexey (Art Director): PORTFOLIO MAGAZINE 3. Cincinnati: Zebra Press, 1951.
Brodovitch and Zachary: PORTFOLIO. A MAGAZINE FOR THE GRAPHIC ARTS 1-3. Cincinnati: Zebra Press, Volume 1, Number 1-3, Winter 1950 - Spring 1951 [complete set with mailing carton].
Broos, Kees [essay]: RING "NEUE WERBEGESTALTER" AMSTERDAMER AUSSTELLUNG VON 1931. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Broos, Kees: PIET ZWART 1885 - 1977. Amsterdam: Haags Gemeentemuseum Van Gennep Amsterdam, 1973.
Budliger, Hansjorg [foreword]: UM 1930 IN ZURICH -- NEUES DENKEN NEUES WOHNEN NEUES BAUEN. Zurich: Kunstgewerbemuseum der Stadt Zurich, 1977.
Burtin, Will: AD MAGAZINE: Volume 8, No. 3: February-March 1942.
[Burtin, Will] William Rudge: PRINT: THE MAGAZINE OF THE GRAPHIC ARTS. Woodstock: William Rudge, Vol. 9, No. 5, 1955.
Bush, Donald J.: THE STREAMLINED DECADE. New York: George Braziller, 1975.
Callahan, Harry: THE MULTIPLE IMAGE -- PHOTOGRAPHS BY HARRY CALLAHAN. Chicago: The Press of The Institute of Design, 1961.
Capek and Chino: CAPEK'S BOOKSHELF: THE BOOK DESIGN OF JOSEF CAPEK. Tokyo: PIE Books, 2003.
Carboni, Erberto: 25 PUBLICITY CAMPAIGNS. Greenwich, CT: New York Graphic Society, 1961.
[Carboni] Erberto Carboni profiled in: GRAPHIS 34. Zurich: Graphis Press 1951. Volume 6, No. 34, 1951.
Carboni, Erberto and Gio Ponti [introduction]: PUBLICITE POUR LA RADIOTELEVISION [RADIO AND TELEVISION PUBLICITY]. Milano: Silvana Editoriale d'Arte, 1959.
Carson, David [Art Director]: BEACH CULTURE. Dana Point, CA: Surfer Publications, Volume 1, Number 3 and 4, August/September and October/November 1990.
[Cassandre] A. M. Cassandre's Stage Designs profiled in: GRAPHIS 9/10. Zurich: Graphis Press 1945. Volume 1, No. 9/10, 1945.
[Cassandre] A. M.Cassandre profiled in: GRAPHIS 34. Zurich: Graphis Press 1951. Volume 6, No. 34, 1951.
Cassandre, A. M.: NICOLAS: LISTE DES GRANDS VINS FINS 1936. Paris: Etienne Nicolas, 1935.
Cassandre, A. M.: TRIPLEX -- A DEUX DOIGTS DE LA MORT. Paris: Alliance Graphique, 1932.
[C C A] Massey, Bayer, Ogilvy, Patterson, Adler, Schulze: GREAT IDEAS. Chicago: Container Corporation of America, 1976.
Chermayeff, Geismar, and Geissbuhler: DESIGNING:. NYC: Graphis Inc., 2003.
[Close, Chuck] Demetrio Paparoni: CHUCK CLOSE DAGUERREOTYPES. Milan: Alberico Cetti Serbelloni Editore, 2002.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 1: FUTURISM. NYC: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 4: TYPOGRAPHY [Master Designers in Print 1]. New York: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 5: TYPOGRAPHY [Master Designers in Print 2]. New York: AGP Mathews/Ex Libris, 1981.
Cohen, Judith Singer: COWTOWN MODERNE: ART DECO ARCHITECTURE OF FORT WORTH, TEXAS. College Station: Texas A & M University Press, with the cooperation of the Fort Worth Chapter, American Institute of Architects, 1988.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 3: DADA. NYC: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 8: THE BAUHAUS AND ITS LEGACY. NYC: Ex Libris, 1979.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 10: DADA -- ONCE AND FOR ALL . NYC: Ex Libris, 1983.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 11: BAUHAUS. NYC: Ex Libris, 1985.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT [5 volume set] 1: FUTURISM; 2: LISSITZKY; 3: DADA; 4: TYPOGRAPHY [Master Designers in Print 1] ; and 5: TYPOGRAPHY [Master Designers in Print 2]. New York: AGP Mathews/Ex Libris, 1981.
[Coiner, Charles] Kendall, Frederick C. [Editor]: ADVERTISING ARTS. New York: Advertising and Selling Publishing Co., September 1933.
[CONSTRUCTIVISM] Francoise Karshan-Essellier [directeur et redacteur en chef]: VH 101: L'ARCHITECTURE ET L'AVANT-GARDE ARTISTIQUE EN URSS DE 1917 A 1934. Paris: VH 101, 1972. Original edition [Numero 7-8: Printemps - Ete 1972].
[Corbusier] Le Corbusier cover and profile in GRAPHIS 73. Zurich: Graphis Press 1957. Volume 13, No. 73, 1957.
[CORPORATE IDENTITY] Nagai and Nakanishi [editors]: WORLD GRAPHIC DESIGN NOW 4: CORPORATE IDENTITY. Tokyo: Nippon Shuppan Hanbai, 1989.
Costantini, Fuso, and Mescola (curators): NUOVO PAESAGGIO AMERICANO. DIALECTICAL LANDSCAPES [Fotografie di Robert Adams, Lewis Baltz, William Eggleston, John Gossage, Stephen Shore]. Milano: Edizioni Electa SPA, 1987.
Creighton, Lopez, Magruder and Sanderson: HOMES: SMALL, MEDIUM, LARGE. NYC: Reinhold, 1947.
Crosby, Theo [Designer and Editor]: UPPERCASE 4. London: Whitefriars, n. d. [1960].
[CZECH AVANT-GARDE BOOK DESIGN] James Howard Fraser [preface]: THE CZECH AVANT-GARDE AND CZECH BOOK DESIGN: THE 1920s AND 1930s [AN EXHIBITION DRAWN FROM THE EMMA LINEN DANA CZECH AVANT-GARDE BOOK COLLECTION]. Madison, NJ : Fairleigh Dickinson University
[CZECH FUNCTIONALISM] Peichl, Gustav [foreword]: CZECH FUNCTIONALISM 1918-1938. London: Architectural Association, 1987.
Daiter, Stephen (foreword): LIGHT AND VISION: PHOTOGRAPHY AT THE SCHOOL OF DESIGN IN CHICAGO, 1937-1952. Chicago: Stephen Daiter Photography Gallery, 1994.
Damase, Jacques: REVOLUTION TYPOGRAPHIQUE. Geneva: Galerie Motte, 1966.
Dean, Charles: PM MAGAZINE. Volume 4, No. 12: April-May 1939.
[Deskey, Donald] Hanks and Toher: DONALD DESKEY: DECORATIVE DESIGNS AND INTERIORS. NYC: E.P. Dutton, 1987.
De Feo, Vittorio: URSS: ARCHITETTURA 1917-1936. Rome: Editori Runiti, 1963.
[Dorfsman, Louis] Hess and Muller: DORFSMAN & CBS. New York: American Showcase, 1987. Inscribed copy.
Drexler, Arthur: CHARLES EAMES. FURNITURE FROM THE DESIGN COLLECTION. NYC: Museum of Modern Art, 1973.
Eames, [Office of] Charles & Ray : A COMPUTER PERSPECTIVE [A sequence of 20th century ideas, events, and artifacts from the history of the information machine]. Cambridge: Harvard University Press, 1973.
[Eames Office] Neuhart, John and Marilyn: CONNECTIONS: THE WORK OF CHARLES AND RAY EAMES. LA: UCLA Arts Council, 1976.
Eames, Ray and John Neuhart, Marilyn Neuhart: EAMES DESIGN: THE WORK OF THE OFFICE OF CHARLES AND RAY EAMES. New York: Abrams 1989. An Inscribed copy.
Eames, [Office of] Charles & Ray and The Herman Miller Furniture Company: ECS [EAMES CONTRACT STORAGE]. Zeeland, Michigan: The Herman Miller Furniture Company, Special Products Division, n. d. [1961].
Eames, [Office of] Charles & Ray: THE WORLD OF FRANKLIN AND JEFFERSON. New York: The Metropolitan Museum of Art and the IBM Corporation, 1976.
Eames, [Office of] Charles & Ray: IMAGES OF EARLY AMERICA. Venice, CA: The Office of Charles and Ray Eames for the Herman Miller Furniture Company, 1976.
[Eames] The Herman Miller Furniture Company: CHARLES AND RAY EAMES: A LASTING CONNECTION [envelope title]. Zeeland, MI: The Herman Miller Furniture Company, n. d. [1978].
Eames, [Office of] Charles & Ray, Philip and Phylis Morrison: POWERS OF TEN. San Francisco: W. H. Freeman / Scientific American Library, 1982. With the compliments of Ray Eames.
Evans, Myfanwy (editor): AXIS No. 4. A QUARTERLY REVIEW OF CONTEMPORARY "ABSTRACT" PAINTING AND SCULPTURE. Henley-on-Thames [Fawley Bottom Farm-House]: Myfanwy Evans, 1935.
[Everyday Art Quarterly] Hilde Reiss (editor), John Szarkowski (Staff photographer): EVERYDAY ART QUARTERLY: A GUIDE TO WELL DESIGNED PRODUCTS. Minneapolis: Walker Art Center; Issue No. 15, Summer 1950.
Torbert, Meg (editor): EVERYDAY ART QUARTERLY: A GUIDE TO WELL DESIGNED PRODUCTS. Minneapolis; Walker Art Center; Issue No. 20, Fall 1951.
Bucheim, Lothar-Gunther: THE GRAPHIC ART OF GERMAN EXPRESSIONISM. Germany: Bucheim Verlag Feldafing, 1960.
[Eysselinck, Gaston] R. Vandewege [introduction]: GASTON EYSSELINCK: ARCHITEKT EN MEUBELDESIGNER (1907-1953). Gent: Stad Gent-Museum voor Sierkunst, 1978.
Fiedler, Jeannine [Editor]: PHOTOGRAPHY AT THE BAUHAUS. Cambridge: The MIT Press, 1990.
Fontcuberta, Joan [concepcion y comisariado]: IDAS Y CAOS: ASPECTOS DE LAS VANGUARDIAS FOTOGRAFICAS EN ESPANA. Madrid: Ministerio de Cultura, 1984.
Ford and Creighton: DESIGNS FOR LIVING: 175 HOME INTERIORS. NYC: Reinhold, 1955
Ford and Creighton: QUALITY BUDGET HOUSES: A TREASURY OF 100 ARCHITECT-DESIGNED HOUSES FROM $5,000 TO $20,000. NYC: Reinhold, 1954.
[Fornasetti] Stephen Neil Greengard [text]: PIERO FORNASETTI 1913-1988: FURNITURE AND OBJECTS. New York City: Gallery 280, 1989.
[Fornasetti] Piero Fornasetti profiled in: GRAPHIS 20. Zurich: Graphis Press 1947. Volume 3, No. 20, 1947.
Franck, Klaus: EXHIBITIONS: A SURVEY OF INTERNATIONAL DESIGNS. New York: Frederick A. Praeger, 1961.
Frankl, Paul T.: FORM AND RE-FORM: A PRACTICAL HANDBOOK OF MODERN INTERIORS. New York: Harper & Brothers, 1930.
Frankl, Paul T.: NEW DIMENSIONS. THE DECORATIVE ARTS OF TODAY IN WORDS AND PICTURES. NYC: Brewer and Warren, 1928.
[Frank, Robert] Thomas H. Garver (introduction): 12 PHOTOGRAPHERS OF THE AMERICAN SOCIAL LANDSCAPE. Waltham, MA: Brandeis University and the Poses Institute of Fine Arts, 1967.
Frank, Robert: THE LINES OF MY HAND. NYC: Lustrum Press, 1972.
[Frank, Jean-Michel] Adolphe Chanaux, Andree Putman [Design]: JEAN-MICHEL FRANK. Paris: Editions Du Regard, 1980. First edition [edition of 4,000 copies].
[Frank, Jean-Michel] Adolphe Chanaux: JEAN-MICHEL FRANK. Paris: Editions Du Regard, 1997. First edition thus [expanded from the 1980 first edition].
Freeman, Richard B. [Introduction]: DOMESTIC ARCHITECTURE OF THE SAN FRANCISCO BAY REGION. San Francisco: San Francisco Museum of Art, 1949.
Frey, Gilbert: MOBILIER SUISSE CREATION DE 1927-1984/SCHWEIZER MOBELDESIGN 1927-1984. Zurich: Musee des Arts Decoratifs de la Ville de Lausanne, 1986.
Friedlander, Lee: SELF-PORTRAIT: PHOTOGRAPHS BY LEE FRIEDLANDER. New York: Haywire Press, 1970.
[F. S. A.] Reid, Kenneth [Editor]: THE NEW PENCIL POINTS. East Stroudsburg, PA: Reinhold Publishing Company, Volume 23, Number 12, December 1942.
[Furniture] Gatz and Thierry [Series Editors]: FITTED FURNITURE: ARCHITECT'S 'DETAIL' LIBRARY, VOLUME 4. London: Iliffe Books Ltd, 1966.
Futagawa, Yukio [Editor/Photographer] with William Marlin, Paolo Portoghesi, Maria Lluisa Borras, Fernando Montes, Wilhem Holzbauer: GA [GLOBAL ARCHITECTURE] BOOK 4: EARLIER MODERN HOUSES. Tokyo: A. D. A . Edita, 1984.
modernism 101 rare design books: FUTURA SCHMUCK. Austin: 2009.
Gandolfi, Vittorio: GLI STUDI NELLA CASA [Studies in the Home]. Milano: Domus, 1945 (No. 2 of series Quaderni di Domus).
Giedion, Sigfried: SPACE, TIME AND ARCHITECTURE [THE GROWTH OF A NEW TRADITION]. Cambridge, MA: Harvard University Press, 1941. Third printing from 1943. INSCRIBED ASSOCIATION COPY.
Girard, Laurie and Steinberg: AN EXHIBITION FOR MODERN LIVING. Detroit: Detroit Institute of Arts, 1949.
Golden, William & Leo Lionni: WE DON'T KNOW WHY THEY LISTEN (SO MUCH). New York City: Columbia Broadcasting System, 1948.
[Golden, William] Pineles-Golden; Weihs; Strunsky: THE VISUAL CRAFT OF WILLIAM GOLDEN.NYC: George Braziller, Inc. 1962. First edition with laid-in ephmera.
Goldin, Nan: THE BALLAD OF SEXUAL DEPENDENCY. NYC: Aperture, 1986.
[Goudy, Frederick]: PM. Volume 3, No. 6 (Feb. 1937).
[GRAPHIS] Herdeg, Walter [Editor]: GRAPHIS. Zurich: Graphis Press, Volume 1, No. 1/2, 1944 - Volume 42, Number 246, November/December 1986.
[GRAPHIS ANNUAL] Herdeg, Walter [Editor]: GRAPHIS ANNUAL. Zurich: Graphis Press, 1952-1986.
Greenbaum and Eidelberg: MESSENGERS OF MODERNISM: AMERICAN STUDIO JEWELRY 1940-1960. NYC: Flammarion, 1996.
Green, John d (Photography) David Tree (Art Direction), Anthony Haden-Guest (Captions): BIRDS OF BRITAIN. New York: The Macmillan Co., 1967.
Greif, Martin : DEPRESSION MODERN: THE THIRTIES STYLE IN AMERICA. NYC: Universe Books, 1975.
Greiman, April: DESIGN QUARTERLY 133: DOES IT MAKE SENSE? Cambridge: MIT Press/Walker Art Center, 1986.
Gropius, Walter: THE NEW ARCHITECTURE AND THE BAUHAUS. London: Faber and Faber, 1955.
[Gropius, Walter] Leslie, Robert L. and Percy Seitlin [editors] PM: AN INTIMATE JOURNAL FOR ART DIRECTORS, PRODUCTION MANAGERS AND THEIR ASSOCIATES. New York: The Composing Room/P.M. Publishing Co. [Volume 4, No. 5: February / March 1938].
[GROUP ARTEC]: ARCON FURNITURE: OFFICE SYSTEMS. Los Angeles: Group Artec, 1972.
[GROUP ARTEC]: ARCHITECTURAL CERAMIC SURFACES: TERRESTRA COLLECTION. Los Angeles: Group Artec, 1972.
Guggenheim Foundation, Hilla Rebay [essay]: THIRD ENLARGED CATALOGUE OF THE SOLOMON R. GUGGENHEIM COLLECTION OF NON-OBJECTIVE PAINTINGS. New York: Solomon R. Guggenheim Foundation, 1938.
Giusti, George: AD MAGAZINE. Volume 7, No. 4: April-May 1941.
Harling, Robert (Editor): TYPOGRAPHY 1. London: The Shenval Press, 1936. Winter 1936 Quarterly issue.
Harling, Robert (Editor): TYPOGRAPHY 2. London: The Shenval Press, 1937. Spring 1937 Quarterly issue.
Harling, Robert (Editor): TYPOGRAPHY 4. London: The Shenval Press, 1937. Autumn 1937 Quarterly issue.
Hatje , Gerd (editor): NEW FURNITURE 1 [NEW FURNITURE / NEUE MOBEL /MUEBLES NOUVEAUX]. NYC: Wittenborn/Schultz, 1952.
Hatje and Clasen: NEW FURNITURE 4 [NEW FURNITURE / NEUE MOBEL /MUEBLES NOUVEAUX]. NYC: George Witteenborn, 1958.
Hayward Gallery/Arts Council of Great Britain: THIRTIES. BRITISH ART AND DESIGN BEFORE THE WAR. London: Arts Council of Great Britain, 1979.
[Heartfield] John Heartfield's photomontages profiled in: GRAPHIS 13. Zurich: Graphis Press 1946. Volume 2, No. 13, 1946.
[Heino, Vivika and Otto] Forest L. Merrill [Collector's Foreword]: THE ART OF VIVIKA AND OTTO HEINO [FEATURING WORKS FROM THE COLLECTION OF FORREST L. MERRILL]. Ventura, CA and Los Angeles: Ventura County Museum of History and Art and Craft and Folk Art M
Heller and Fili: STREAMLINE. AMERICAN ART DECO GRAPHIC DESIGN.. SF; Chronicle Books, 1995.
Heller, Chwast and Cohen: TRYLON AND PERISPHERE: THE 1939 NEW YORK WORLD'S FAIR. NYC: A Pushpin Edition with Harry N. Abrams, Inc., 1989.
[Hepworth, Barbara ] Read, Herbert : BARBARA HEPWORTH CARVINGS AND DRAWINGS. London: Lund Humphries, 1952.
Herdeg, Walter (Editor): GRAPHIS 1/2. Zurich: Graphis Press 1944. Volume 1, No. 1/2, 1944.
Herman Miller Furniture Company: HERMAN MILLER DESIGN. Zeeland, MI: Herman Miller Furniture Co., 1964.
Herman Miller Furniture Company: HERMAN MILLER. Zeeland, MI: Herman Miller Furniture Co., 1972. From the Office of A. Quincy Jones.
Herman Miller Furniture Co.: ILLUSTRATED PRICE LIST. Zeeland, MI: The Herman Miller Furniture Co., January 1958.
Hillebrand, Henri (series editior): GRAPHIC DESIGNERS IN THE USA, volumes 1-3. NYC: Universe, 1971-1972.
Hoffmann, Herbert: DIE NEUE RAUMKUNST IN EUROPA UND AMERIKA. Stuttgart: Julius Hoffmann, 1930.
Holme and Frost (editors): DECORATIVE ART 1949 [The Studio Yearbook]. London: The Studio, 1949.
Hulten, K. G. Pontus: THE MACHINE [AS SEEN AT THE END OF THE MECHANICAL AGE]. New York: Museum of Modern Art, 1968.
Iribe, Paul: ETABLISSEMENTS NICOLAS [MAISON FONDEE EN 1822, SOCIETE ANONYME AU CAPITAL DE 25 MILLIONS]: LISTE DES GRANDS VINS FINS. Charenton-Le-Pont: Etablissements Nicolas, 1930.
[Italian Design] Paolo Bonaiuto (preface): PUBLICITA IN ITALIA 1971-1972 [ADVERTISING IN ITALY / PUBLICITE EN ITALIE / WERBUNG IN ITALIEN]. Milano: Editrice L’Ufficino Moderno, 1972.
Jacobson, Egbert (editor): SEVEN DESIGNERS LOOK AT TRADEMARK DESIGN. Chicago: Paul Theobald, 1952.
[Jewelry] Renee Sabatello Neu (curator): JEWELRY BY CONTEMPORARY PAINTERS AND SCULPTORS [MODERNER SCHMUCK VON MALERN UND BILDHAUERN - MODERNE JUWELEN DOOR SCHILDERS EN BEELDHOUWERS]. NYC: Museum of Modern Art, n.d. (circa 1966).
Jones, A. Quincy and Frederick E. Emmons: BUILDERS' HOMES FOR BETTER LIVING. NYC: Reinhold, Publishing Corporation, 1957.
Kamens, Irvine: AD MAGAZINE. Volume 6, No. 6: August-September 1940.
Kauffer, E. McKnight: AD MAGAZINE. Volume 8, No. 2: December-January 1941-42.
Kaufmann, Edgar Jr. (Director): GOOD DESIGN [An Exhibition of Home Furnishings Selected by The Museum of Modern Art, New York for The Merchandise Mart, Chicago]. NYC: Museum of Modern Art [Dept. of Industrial Design], 1951.
Kaufmann, Edgar, Jr.: PRIZE DESIGNS FOR MODERN FURNITURE [from the International Competition for Low-Cost Furniture Design]. NYC: Museum of Modern Art, 1950.
Kepes, Gyorgy: PM MAGAZINE. Volume 6, No. 3: February-March 1940.
Knoll Associates: KNOLL ASSOCIATES, INC. NYC: Knoll Associates, Inc., 1965.
Knoll Associates: A COLLECTION OF FURNITURE DESIGNED BY MIES VAN DER ROHE. NYC: Knoll Associates, Inc., 1966.
Knoll Associates: SAARINEN PEDESTAL COLLECTION. NYC: Knoll Associates, Inc., 1966.
[KNOLL} Massimo Vignelli [Designer]: TEXTILES [Folder Title]. New York: Knoll International, n. d. [1970].
Koudelka, Josef: MISSION PHOTOGRAPHIQUE TRANSMANCHE. Photographs by Josef Koudelka. Centre de Développement Culturel de Calais/Centre Régional de la Photographie Nord Pas-de-Calais: Cahier 6. Éditions de la Différence, 1989.
Lavin et al: MONTAGE AND MODERN LIFE 1919-1942. Cambridge: The MIT Press, 1992.
Lehner, Ernst : THE LETTERHEAD: HISTORY AND PROGRESS. NYC: Museum Books, Inc, 1955.
Leonard and Glassgold (editors): ANNUAL OF AMERICAN DESIGN 1931.NYC: Ives Washburn, 1930.
[Lescaze] Hubert and Shapiro: WILLIAM LESCAZE [ Institute for Architecture and Urban Studies Catalogue 16]. New York: Institute for Architecture and Urban Studies and Rizzoli International Publications, Inc., 1982.
[Le Corbusier] Peter Blake: MARCEL BREUER: ARCHITECT AND DESIGNER. New York: Architectural Record/Museum of Modern Art, 1949. LE CORBUSIER'S COPY.
Le Corbusier: THE DECORATIVE ART OF TODAY. Cambridge; MIT Press, 1987.
[Le Corbusier] Richard Meier (text); Yukio Futagawa (editor and photographer): GA [GLOBAL ARCHITECTURE] 13: LE CORBUSIER: VILLA SAVOYE, POISSY FRANCE. 1929-31. Tokyo: A. D. A . Edita, 1972.
Le Corbusier [pseudonym of Charles Edouard Jeanneret]: LA VILLE RADIEUSE. Boulogne: Editions de L'Architecture d'Aujourd'hui, 1935.
[Lustig, Alvin] A-D Gallery: ALVIN LUSTIG: AN EXHIBITION OF HIS WORK [October 11 - December 2]. NYC: The Composing Room/A-D Gallery, 1949.
Lustig, Alvin: THE COLLECTED WRITINGS OF ALVIN LUSTIG. New Haven: Holland R. Melson, Jr., 1958.
[Lustig] Alvin Lustig profiled in: GRAPHIS 60. Zurich: Graphis Press 1955. Volume 11, No. 60, 1955.
Lustig, Alvin (designer), The Society of Industrial Designers (editors): INDUSTRIAL DESIGN IN AMERICA 1954. NYC: Farrar, Straus & Young, Inc., 1954.
[Lustig, Alvin] Philip Johnson: MIES VAN DER ROHE. New York: the Museum of Modern Art, [1947], ALVIN LUSTIG’S COPY.
Lustig, Alvin: The Book Jackets of Alvin Lustig in PRINT: AMERICA'S GRAPHIC DESIGN MAGAZINE. NYC: Vol. 10, No. 5, Oct/Nov 1956.
Lyon, Danny: THE BIKERIDERS. New York and London: Macmillan Co. and Collier-Macmillan Limited, 1968.
Lyon, Danny and McCune, Billy: CONVERSATIONS WITH THE DEAD. PHOTOGRAPHS OF PRISON LIFE WITH THE LETTERS AND DRAWINGS OF BILLY MCCUNE #122054. NYC: Holt, Rinehart and Winston, 1971.
Maan and Van Der Ree: TYPO-FOTO/ELEMENTAIRE TYPOGRAFIE IN NEDERLAND 1920-1940. Antwerp: Veen/Reflex, 1990.
Magnani, Franco (Editor): MODERN INTERIORS. NYC: Universe Books, 1969.
Marti, Walter: TYPOGRAPHIE. Lucerne: Walter Marti, 1957.
Marzona, Egidio: BAUHAUS PHOTOGRAPHY. Cambridge & London: The MIT Press, 1985.
[Masereel, Franz] Avermaete, Roger: FRANZ MASEREEL. London: Thames and Hudson, 1977.
[Matter, Herbert] Adrian Bättig and Markus Britschgi, Armin Hoffmann [Designer]: HERBERT MATTER: FOTO-GRAFIKER, SEHFORMEN DER ZEIT. Baden: Lars Muller in conjunction with the Schweizerischen Stiftung für Photographie, 1995.
McCoy, Esther : MODERN CALIFORNIA HOUSES: CASE STUDY HOUSES 1945-1962. NYC: Reinhold Publishing, 1962.
McCoy, Esther: THE SECOND GENERATION. Salt Lake City: Gibbs M. Smith, Inc. 1984.
McFadden, David Revere [Editor]: SCANDINAVIAN MODERN DESIGN 1880-1980. New York: Harry N. Abrams, 1982.
Meiselas, Susan: CARNIVAL STRIPPERS. NYC: Farrar Straus and Giroux, 1976.
[Mendelsohn, Erich] Bruno Zevi with Louise Menselsohn: ERICH MENDELSOHN OPERA COMPLETA: ARCHUTTETTURE E IMMAGINI ARCHITETTONICHE. Milano: Etas Kompass, 1970.
Mercer and Holme (editors): ART & INDUSTRY. London: The Studio, July - December 1936 (volume 21).
Moholy-Nagy, Roh and Tschichold: 60 FOTOS, 60 PHOTOS, 60 PHOTOGRAPHIES. Berlin: Klinkhart & Biermann, 1930.
Moholy-Nagy, Laszlo: MALEREI, FOTOGRAFIE, FILM. Munich: Albert Langen Verlag, 1927.
[Moholy-Nagy] Julie Saul [essay]: MOHOLY-NAGY / FOTO-PLASTIKS: THE BAUHAUS YEARS. New York: The Bronx Museum of the Arts, 1983.
[Moholy-Nagy] Annely Juda Fine Art: LASZLO MOHOLY-NAGY: A LIFE IN MOTION. London: Annely Juda Fine Art, 2004.
Moholy-Nagy, Laszlo : THE NEW VISION: FUNDAMENTALS OF DESIGN, PAINTING, SCULPTURE, ARCHITECTURE (The New Bauhaus Books Series 1). NYC: W. W. Norton & Company, 1938.
Moholy-Nagy, Laszlo: THE NEW VISION: FUNDAMENTALS OF DESIGN, PAINTING, SCULPTURE, ARCHITECTURE (The New Bauhaus Books Series 1). NYC: W. W. Norton & Company, 1938.
Moholy-Nagy, Laszlo: VISION IN MOTION. Chicago: Theobald 1947.
Moody, Ella (editor): DECORATIVE ART IN MODERN INTERIORS 1973/74. NYC: The Viking Press (A Studio Book), 1973.
Mudford, Grant: GRANT MUDFORD. Tokyo: Gallery Min, 1986.
[Nakashima, George] Derek E. Ostergard: GEORGE NAKASHIMA: FULL CIRCLE. New York: American Craft Museum of the American Craft Council/Weidenfeld & Nicolson, 1989.
[Nelson, George] Debra Wierenga [Editor]: IDEAS. Zeeland, MI: The Herman Miller Furniture Company, Volume 9, Number 1, November 1979.
Nelson, George: PROBLEMS OF DESIGN. NYC: Whitney, 1957.
Nelson, George: PROBLEMS OF DESIGN. New York: Whitney, 1957. An inscribed association copy.
Neumann, Eckhard : FUNCTIONAL GRAPHIC DESIGN IN THE 20'S. NYC: Reinhold,1967.
[Neutra] Andre Bloc [Directeur]: L'ARCHITECTURE D'AUJOURD'HUI [Revue Mensuelle]. Paris: Art d'Aujourd'hui, No. 6 Mai-Juin 1946.
Neutra, Richard: LIFE AND HUMAN HABITAT / MENSCH UND WOHNEN. Stuttgart: Verlaganstalt Alexander Koch, 1956. An Inscribed Copy.
[Neutra] Richard Neutra profiled by Henry Robert Harrison in PENCIL POINTS Volume 18, Number 7, July 1937. Stamford, CT: Reinhold Publishing Company, 1937.
Nordness, Lee: OBJECTS: USA [WORKS BY ARTIST-CRAFTSMEN IN CERAMIC, ENAMEL, GLASS, METAL, PLASTIC, MOSAIC, WOOD, AND FIBER]. NYC: Viking Press/Studio, 1970.
Olivieri, Luigi Claudio: L'ILLUMINAZIONE DELLA CASA [Lighting for the Home]. Milano: Domus, 1946 (No. 5 of series Quaderni di Domus).
[ORGANIC DESIGN]: BLOOMINDALE'S PRESENTS ORGANIC DESIGN [Furniture And Furnishings Planned For Today's Living, Sponsored By The Museum Of Modern Art]. New York: Bloomingdales, n. d. [1941].
Ostergard, Derek E.: MACKINTOSH TO MOLLINO: FIFTY YEARS OF CHAIR DESIGN. NYC: Barry Friedman Ltd., 1984.
[Paalen, Wolfgang] Christian Kloyber [Editor]: WOLFGANG PAALEN'S DYN: THE COMPLETE REPRINT. Wien and New York City: Springer-Verlag, 2000.
Peluzzi, Giulio (editor): THE MODERN ROOM [Forma e Colore Nell'Arredamento Moderno]. NYC: Universe Books, 1967.
[Pentagram] Crosby, Fletcher, Forbes, Kurlansky and Grange: PENTAGRAM. New York: Whitney Library of Design, 1974. Signed by Colin Forbes and Alan Fletcher.
Perleberg, H. C. [Publisher]: MODERN LETTERING: DESIGN AND APPLICATION. Philadelphia: H. C. Perleberg, n. d. (ca. 1930).
[PERPSECTA] Carver, Brickbauer, Meyers, Close II, Baker, Cox, et al [editors]: PERSPECTA: THE YALE ARCHITECTURE JOURNAL [Nos. 1 - 7]. New Haven, CT: Departments of Architecture and Design, Yale University, 1952 - 1961.
[PHOTOGRAPHIE] Philippe Soupault [Essayist]: PHOTOGRAPHIE [PHOTO 1931]. Paris: Arts et Metiers Graphiques, 1931.
[PHOTOGRAPHIE] Andre Beucler [Essayist]: PHOTOGRAPHIE [PHOTO 1932]. Paris: Arts et Metiers Graphiques, 1932.
[PHOTOGRAPHIE] Pierre Abraham [Editor]: PHOTOGRAPHIE 1935. Paris: Arts et Metiers Graphiques, 1935.
[PHOTO-LETTERING]: ALPHABET THESAURUS NINE THOUSAND: A MANUAL OF ALPHABET STYLES AND SELECTED DERIVATIVES CROSS-INDEXED WITH A WEIGHT COMPARATOR. New York City: Photo-Lettering Inc., 1960.
Pica, Agnoldomenico : UNDICESIMA TRIENNALE [The Eleventh Triennale: Architecture/Arts and Crafts/Industrial Design]. Milan: Vigano, 1957.
[Plastics] Jakubowski and Nitsch: PLASTICS IN INTERIOR DECORATION| KUNSSTOFFE IM RAUM|LES MATIERES PLASTIQUES DANS L'INTERIEUR. Munich: Verlag Georg D. W. Callwey, 1958.
[Posters] Franciscono and Prokopoff: THE MODERN DUTCH POSTER. THE FIRST FIFTY YEARS 1890-1940. Cambridge and Urbana: MIT Press with the University of Illinois, 1987.
[POSTERS / PLAKAT] Special issue of TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association [Volume 40, No. 11, November 1933].
[PUBLIMONDIAL] Girardclos, Alfred (director): PUBLIMONDIAL [Subtitled: Magazine of the Arts and Technics of Advertising and Propaganda in France and in the World]. Paris: Publicite, June/July 1947.
[PUBLIMONDIAL] Girardclos, Alfred (director): PUBLIMONDIAL Number 9 [Subtitled: The Magazine of Graphic Arts and Advertising Technique]. Paris: Arts and Publications, 1947.
[PUBLIMONDIAL] Girardclos, Alfred (director): PUBLIMONDIAL Number 11 [Subtitled: The Magazine of Graphic Arts and Advertising Technique]. Paris: Arts and Publications, 1948.
[Pushpin Studio] VĂ©ronique Vienne (Introduction): PUSHPIN AND BEYOND: THE CELEBRATED STUDIO THAT TRANSFORMED GRAPHIC DESIGN AND THE WORKS OF SEYMOUR CHWAST, PAUL DAVIS, MILTON GLASER, JAMES McMULLAN. Osaka: Suntory Museum, 1997. SIGNED first edition.
[Pushpin Group] Heller and Chwast: DESIGN AND STYLE [JUGENDSTIL, STREAMLINE, PARIS DECO, ITALIAN FUTURISM & ART DECO, DE STIJL , DUTCH DECO & NEW TYPOGRAPHY, SURREALISM, BAUHAUS & NEW TYPOGRAPHY]. Cohoes: Mohawk Papers Mills with The Pushpin Group Inc., 1
Radice, Barbara [Curator]: ELOGIO DEL BANALE. Milan/Torino: Studio Forma/Alchymia, 1980.
Rand, Paul: AD MAGAZINE. Volume 7, No. 3: Febraury- March 1941.
[Rand, Paul] Leslie, Robert L. and Percy Seitlin [Editors] A-D. New York: The Composing Room/P.M. Publishing Co., [Volume 7, No. 3: February/March 1941]. An Inscribed Copy.
Rand, Paul with Paepcke and Jacobson: MODERN ART IN ADVERTISING. Designs for Container Corporation of America. Chicago: Container Corporation of America/Paul Theobald, 1946.
Rand, Paul profiled in: CREATION no. 1 [INTERNATIONAL GRAPHIC DESIGN, ART AND ILLUSTRATION. Tokyo: Recruit Co., Ltd., 1989.
[Rand] Armando Milani, Paul Rand (introduction): A DOUBLE LIFE OF 80 AGI DESIGNERS...[Creativity and Sense of Humor]. Torino: Cartiere Burgo with the Alliance Graphique International, 1996.
[Rand] Paul Rand profiled in: GRAPHIS 31. Zurich: Graphis Press 1950. Volume 6, No. 31, 1950.
[Rand] Yusaku Kamekura (editor): PAUL RAND: HIS WORK FROM 1946 TO 1958. Tokyo & New York: Zokeisha & Alfred A. Knopf,1959.
[Rand, Paul] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P. M. Publishing Co., [Volume 4, No. 9: October-November 1938 - Volume 5, No. 2: August-Septembe
Rand, Paul: PORTFOLIO: A NEW KIND OF GRAPHIC ARTS MAGAZINE. N. P. [Cincinnati: Zebra Press, 1950].
Rand, Paul: THIS . . . IS THE STAFFORD STALLION. NYC: Goodman and Thiese, 1944.
Rand, Paul [et al]: SUBWAY ADVERTISING CARDS. New York: New York Subways Advertising Company, n. d. [1947]. Set of 17 cards.
Rand, Paul: THOUGHTS ON DESIGN. New York: Wittenborn, 1947. An Inscribed Copy.
Rand, Paul: THE TRADEMARKS OF PAUL RAND -- A SELECTION. NYC: George Wittenborn, Inc. 1960.
Read, Herbert: HENRY MOORE SCULPTOR [An Appreciation by Herbert Read with Thirty-Six Plates]. London: A. Zwemmer Gallery, 1934.
[Rodchenko] German Kargino: RODCSENKO. Corvina: Budapest, 1975.
Rogers and Teague: ITALY AT WORK. HER RENAISSANCE IN DESIGN TODAY. Rome: The Compagnia Nazionale Artigiana, 1950.
Rosselli, Alberto (editor): STILE INDUSTRIA Volume 1, Number 2. Milan: Domus, October 1954.
Rothschild, Lupton and Goldstein: GRAPHIC DESIGN IN THE MECHANICAL AGE. New Haven:Yale University Press, 1998.
Ruscha, Edward: EVERY BUILDING ON THE SUNSET STRIP. Los Angeles: Edward Ruscha [Heavy Industry Publications], 1966 / 1970. Second edition of 5000 copies.
Sandberg, Willem [Designer/Author], Pieter Brattinga [Editor]: NU 2 - MAINTENANT - NOW - JETZT [QUADRAT-PRINT]. Hilversum: Steendrukkerij De Jong & Co, 1966.
[Sartoris, Alberto] Cometa, Michele: ALBERTO SARTORIS: OPERE 1920-1986. Cefalu: Mediterranea Editrice in Architettura, 1987.
Schlemmer, Moholy-Nagy, Molnar, Gropius: THE THEATER OF THE BAUHAUS. Middletown: Wesleyan University Press, 1961.
Schofield, Maria (editor): DECORATIVE ART AND MODERN INTERIORS: THEMES IN NATURE [VOLUME 68]. New York: William Morrow and Company, 1979.
[Shuitema, Paul] Crouwel, W. H. [foreword]: PAUL SCHUITEMA. Rotterdam: Museum Boymans - van Beuningen, 1986.
[Schwitters, Kurt] Ernst Schwitters [essay]: KURT SCHWITTERS: TYPOGRAPHIE UND WERBEGESTALTUNG. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Sembach , Klaus-Juergen (editor): CONTEMPORARY FURNITURE: AN INTERNATIONAL REVIEW 1950 TO THE PRESENT. NYC: Architectural Book Publishing Company, 1982.
Shulman, Julius: ARCHITECTURE AND ITS PHOTOGRAPHY. Koln: Taschen, 1998.
[Sommer] Glenn and Bledsoe (Editors): FREDERICK SOMMER AT SEVENTY-FIVE: A RETROSPECTIVE. Long Beach, CA: The Art Museum and Galleries, California State University, 1980.
[SOM] Hitchcock, Henry Russell [introduction] and Ernst Danz [text]: SOM: ARCHITECTURE OF SKIDMORE, OWINGS & MERRILL, 1950-1962. New York: Frederick A. Praeger, Inc. 1963.
[SOVIET DESIGN] Frantisek Marek [Editor] TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association, Volume 43, No. 6, June 1936.
[Soviet Posters] V. Lyakhov: SOVIET ADVERTISING POSTER 1917-1932 [DAS SOWJETISCHE REKLAMEPLAKAT]. Moscow: 1972.
Spencer, Herbert: THE LIBERATED PAGE -- A TYPOGRAPHICA ANTHOLOGY. San Francisco: Bedford Press, 1987.
Spencer and Forbes: NEW ALPHABETS A TO Z. London: Lund Humphries, 1973.
Spencer , Herbert: TYPOGRAPHICA 1. London: Lund Humphries,1960.
Spencer, Herbert: TYPOGRAPHICA 2. London: Lund Humphries, 1960.
Spencer, Herbert: TYPOGRAPHICA 4. London: Lund Humphries,1961.
Spencer, Herbert: TYPOGRAPHICA 8. London: Lund Humphries, 1963.
Spencer, Herbert: TYPOGRAPHICA 11. London: Lund Humphries, 1955.
Spencer, Herbert: TYPOGRAPHICA 9. London: Lund Humphries, 1954.
Spencer, Herbert: TYPOGRAPHICA 13. London: Lund Humphries, 1957.
Spencer, Herbert: TYPOGRAPHICA 14. London: Lund Humphries, 1958.
Spencer, Herbert: TYPOGRAPHICA 15. London: Lund Humphries, 1958
Spencer , Herbert: TYPOGRAPHICA 16. London: Lund Humphries, 1959.
Spencer, Herbert : WITHOUT WORDS: PHOTOGRAPHS BY HERBERT SPENCER. London: Victoria and Albert Museum/BAS Printers, 1999. Limited edition of 250 copies.
Steinweiss, Alex: A-D MAGAZINE. Volume 7, No. 5. NYC: The Composing Room/P.M. Publishing Co., June-July 1941.
Stern, Bill : CALIFORNIA POTTERY -- FROM MISSION TO MODERN. San Francisco: Chronicle Books, 2001. Inscribed to Elaine K. Sewell Jones.
Sullivan, Louis H.: KINDERGARTEN CHATS ON ARCHITECTURE, EDUCATION AND DEMOCRACY. Washington, D.C.: Scarab Fraternity Press, 1934.
Sutnar, Ladislav: DESIGN EXHIBITION [from January10 to February 28, 1947]. NYC: The Composing Room/A-D Gallery, 1947.
Sutnar and Longberg-Holm: CATALOG DESIGN: NEW PATTERNS IN PRODUCT INFORMATION. New York: Sweet's Catalog Service, 1944.
Sutnar, Ladislav and K. Lönberg-Holm: CATALOG DESIGN PROGRESS: ADVANCING STANDARDS IN VISUAL COMMUNICATION. New York: Sweet’s Catalog Service, 1950. With Laid-In Publisher’s Material.
Sutnar, Ladislav : CONTROLLED VISUAL FLOW [DESIGN AND PAPER NUMBER 13]: NYC: Marquardt & Company Fine Papers, n. d. (1943).
Sutnar, Ladislav: CONTROLLED VISUAL FLOW and SHAPE, LINE AND COLOR. NYC: Marquardt & Company Fine Papers, n. d. (1943-1945).
Sutnar and Holm: CATALOG DESIGN: NEW FIELD FOR VISUAL COMMUNICATION in GRAPHIS 24. Zurich: Graphis Press 1948. Volume 4, No. 24, 1948.
Sutnar, Ladislav: VISUAL DESIGN IN ACTION. NYC: Hastings House, 1961. INSCRIBED COPY.
Sutnar, Ladislav: VISUAL DESIGN IN ACTION EXHIBITION CATALOGUE. Cincinnati: Contemporary Arts Center in association with Champion Papers, (n.d.) 1961.
[Sutnar, Ladislav] American Institute of Graphic Arts: SUTNAR: VISUAL DESIGN IN ACTION [Poster Title]. New York: Pepsi-Cola Exhibition Gallery in association with the Contemporary Arts Center, Cincinnati and Champion Papers, [n. d. --1961].
[SWEDISH ARTS AND CRAFTS] Stavenow, Horlen, Huldt and Svedberg [Editors]: SWEDISH ARTS AND CRAFTS: SWEDISH MODERN -- A MOVEMENT TOWARDS SANITY IN DESIGN. Stockholm: Royal Swedish Commission, 1939.
Switzer, George: AD MAGAZINE. Volume 7, No. 2: December 1940- January 1941.
Taeuber-Arp, Sophie H. (editor): PLASTIQUE [PLASTIC] No. 2. Paris: S. H. Arp, 1937. [Dimensionisme].
[Teague] Walter Dorwin Teague profiled by Kenneth Reid in PENCIL POINTS. Stamford, CT: Reinhold Publishing Company, Volume 18, Number 9, September 1937.
[TECTON] The Work of Tecton by George Nelson in PENCIL POINTS. Stamford, CT: Reinhold Publishing Company, Volume 17, Number 10, October 1936.
Teige, Karel: "Fototypografie, Applied Photography in Modern Typography" in TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association [Volume 40, No. 8, August 1933].
Thompson, Bradbury (designer): Old Versus New in WESTVACO INSPIRATION FOR PRINTERS 134. West Virginia Pulp and Paper Company, 1942.
Thompson, Bradbury (designer): A Portfolio of Seven Model Layouts in WESTVACO INSPIRATION FOR PRINTERS 141. West Virginia Pulp and Paper Company, 1943.
Todd and Mortimer: THE NEW INTERIOR DECORATION [AN INTRODUCTION TO ITS PRINCIPLES, AND INTERNATIONAL SURVEY OF ITS METHODS]. London and New York: B. T. Batsford Ltd. and Charles Scribner's Sons, 1929.
[TRIENNALE] Zetti e Spreafico: OREFICERIA METALLI PIETRE MARMI LEGNI PELLI MATERIE PLASTICHE [Alla 9a Triennale di Milano]. Milan: Domus, 1952 [No. 2 of series Quaderni Triennale Domus].
Tschichold, Jan : ASYMMETRIC TYPOGRAPHY. New York and Toronto: Reinhold /Cooper & Beatty, Ltd, 1967.
Tschichold, Jan: TYPOGRAPHISCHE GESTALTUNG. Basel: Benno Schwabe, 1935.
Tschichold, Jan: DIE NEUE TYPOGRAPHIE. EIN HANDBUCH FUR ZEITGEMASS SCHAFFENDE. Berlin: Verlag Des Bildungsverbandes Der Deutschen Buchdrucker, 1928.
Tschichold, Jan [Johannes] and R. B. Fishenden [Editor]: THE PENROSE ANNUAL. REVIEW OF THE GRAPHIC ARTS VOLUME 40. London: Lund Humphries, 1938.
Tschichold, Jan: Type Mixtures in TYPOGRAPHY 3. London: The Shenval Press, 1937. Summer 1937 Quarterly issue.
Varnedoe and Gopnick: HIGH AND LOW: MODERN ART AND POPULAR CULTURE. NYC: Museum of Modern Art with Harry Abrams, 1990.
Venturi, Robert: COMPLEXITY AND CONTRADICTION IN ARCHITECTURE. New York: Museum of Modern Art, 1966 [MoMA Papers on Architecture No. 1].
Vignelli, Massimo [Designer]: NEW YORK SUBWAY GUIDE. New York City: New York City Transit Authority, 1974.
[Vordemberge-Gildewart, Friedrich] Spencer, Herbert [essay]: FRIEDRICH VORDEMBERGE-GILDEWART: TYPOGRAPHIE UND WERBEGESTALTUNG. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Vostell and Higgins: FANTASTIC ARCHITECTURE. n.p.: Something Else Press, 1969.
Waldman, Diane: COLLAGE, ASSEMBLAGE AND THE FOUND OBJECT. NYC: Harry N. Abrams, 1992.
[Ward, Lynd] Robert L. Leslie and Percy Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 2, No. 6: February 1936.
Warhol, Andy: ASPEN MAGAZINE Number 3 - The Pop Art Issue. New York: Roaring Fork Press, 1966. In original Publishers decorated cardboard mailer.
Warhol, Andy: GEBRAUCHSGRAPHIK Volume 27, Number 4. Berlin: Gebrauchsgraphik, April 1956.
[Warhol, Andy] Francis de N. Schroeder [Editor]: INTERIORS. New York: Whitney Publications, May 1951 [Volume 110, no. 10].
Weisskamp, Herbert: HAUSER UND GARTEN IN KALIFORNIEN [BEAUTIFUL HOMES AND GARDENS IN CALIFORNIA]. Stuttgart: Verlag Gerd Hatje, 1964.
Wilson, Richard Guy, Dianne H. Pilgrim, Dickran Tashjian: THE MACHINE AGE IN AMERICA 1918-1941. NYC: Brooklyn Museum of Art and Harry N. Abrams, 1986.
[WPA] Francis V. O'Connor: FEDERAL SUPPORT FOR THE VISUAL ARTS: THE NEW DEAL AND NOW. [A Report on the New Deal Art Projects in New York City and State with Recommendations for Present-Day Federal Support for the Visual Arts to the National Endowment for
[WPA Art Project] Ward, Lynd: A-D MAGAZINE. Volume 6, Number 5: June-July 1940.
[WPA Posters] DeNoon, Christopher: POSTERS OF THE WPA. Los Angeles: The Wheatley Press, 1987.
[Zodiac] Alfieri and Santini (editors): ZODIAC 9 / International Magazine of Contemporary Architecture . Milan: Edizione Di Communita, 1962.
[Zwart, Piet] Monguzzi, Bruno: 30 RASSEGNA [PIET ZWART: L'OPERA TIPOGRAFICA 1923-1933 / PIET ZWART, THE TYPOGRAPHICAL WORK 1923-1933]. Bologna: Editrice C.I.P.I.A. s.r.l. , 1987.