[XXe SIECLE] G. di San Lazzaro [editor]: XXe SIECLE: PSYCHOLOGIE DE LA TECHNIQUE [CAHIER D'ART BI-ANNUELS PUBLIES SOUS LA DIRECTION DE G. DI SAN LAZZARO]. Paris: Cahier d'Art, Mai-Juin 1959.
[Albers, Josef] Eugen Gomringer [Editor]: JOSEF ALBERS. SON OEUVRE ET SA CONTRIBUTION Ŕ LA FIGURATION AU COURS DU XXE SIČCLE [Josef Albers. His Work as Contribution to Visual Articulation in the Twentieth Century]. Paris: Dessain et Tolra, 1972.
Alfieri , Bruno (founder and editor): PAGINA 5 [INTERNATIONAL REVIEW OF GRAPHIC DESIGN]. Milan: Societa Italiana di Grafica, No. 5. August 1964.
Architectural League of New York: ARCHITECTURAL LEAGUE OF NEW YORK FIFTY-SECOND (First National) EXHIBITION 1938. NYC: Architectural League, 1938.
[Arts et Metiers Graphiques] Charles Peignot: ARTS ET METIERS GRAPHIQUES 49. Paris: Arts et MĂ©tiers Graphiques, 1935.
[Arts et Metiers Graphiques] Charles Peignot: ARTS ET METIERS GRAPHIQUES 55. Paris: Arts et MĂ©tiers Graphiques, 1936.
[Arts et Metiers Graphiques] Charles Peignot: ARTS ET METIERS GRAPHIQUES 57. Paris: Arts et MĂ©tiers Graphiques, 1937.
[ASPEN] Phyllis Johnson (editor): ASPEN MAGAZINE Volume 1, Number 1 - The Black Box Issue. New York: Roaring Fork Press, 1965.
Bayer, Gropius and Gropius [Editors]: BAUHAUS 1919-1928. Boston: Branford, 1959.
[Bayer, Herbert] Eckhard Neumann, Magdalene Droste: HERBERT BAYER: DAS KUNSTLERISCHE WERK 1918-1938. Berlin: Bauhaus-Archiv, 1982.
Bayer, Herbert: GOLDMANNS GROSSER WELTATLAS. Munich: Wilhelm Goldmann Verlag, 1955.
Bayer, Herbert: HERBERT BAYER PAINTER DESIGNER ARCHITECT [Visual Communication, Architecture, Painting.] NYC: Reinhold/Studio Vista, 1967
[Bellmer, Hans] Sayag, Alan [introduction]: HANS BELLMER PHOTOGRAPHE. Paris: E.P.I. Editions Filipacchi/Centre Georges Pompidou, 1983.
Bill, Max and Tomas Maldonado: MAX BILL. Buenos Aires: Editorial Nueva Vision, 1955.
[Brodovitch] Grundberg, Andy : BRODOVITCH [Masters of American Design]. NYC: Abrams, 1989.
[Brodovitch] New School For Social Research: NEW SCHOOL FOR SOCIAL RESEARCH ART CLASSES 1941 - 1942. NYC: New School For Social Research, 1941.
Brodovitch, Alexey: PORTFOLIO MAGAZINE 1. Cincinnati: Zebra Press, Winter 1950.
Brodovitch and Zachary: PORTFOLIO. A MAGAZINE FOR THE GRAPHIC ARTS 1-3. Cincinnati: Zebra Press, Volume 1, Number 1-3, Winter 1950 - Spring 1951 [complete set with mailing carton].
Broos, Kees [essay]: RING "NEUE WERBEGESTALTER" AMSTERDAMER AUSSTELLUNG VON 1931. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Broos, Kees: PIET ZWART 1885 - 1977. Amsterdam: Haags Gemeentemuseum Van Gennep Amsterdam, 1973.
Callahan, Harry: THE MULTIPLE IMAGE -- PHOTOGRAPHS BY HARRY CALLAHAN. Chicago: The Press of The Institute of Design, 1961.
Capek and Chino: CAPEK'S BOOKSHELF: THE BOOK DESIGN OF JOSEF CAPEK. Tokyo: PIE Books, 2003.
[Cassandre] A. M. Cassandre's Stage Designs profiled in: GRAPHIS 9/10. Zurich: Graphis Press 1945. Volume 1, No. 9/10, 1945.
Cassandre, A. M.: NICOLAS: LISTE DES GRANDS VINS FINS 1936. Paris: Etienne Nicolas, 1935.
[C C A] Massey, Bayer, Ogilvy, Patterson, Adler, Schulze: GREAT IDEAS. Chicago: Container Corporation of America, 1976.
[Close, Chuck] Demetrio Paparoni: CHUCK CLOSE DAGUERREOTYPES. Milan: Alberico Cetti Serbelloni Editore, 2002.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 1: FUTURISM. NYC: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 4: TYPOGRAPHY [Master Designers in Print 1]. New York: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 5: TYPOGRAPHY [Master Designers in Print 2]. New York: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 3: DADA. NYC: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 8: THE BAUHAUS AND ITS LEGACY. NYC: Ex Libris, 1979.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 10: DADA -- ONCE AND FOR ALL . NYC: Ex Libris, 1983.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 11: BAUHAUS. NYC: Ex Libris, 1985.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT [5 volume set] 1: FUTURISM; 2: LISSITZKY; 3: DADA; 4: TYPOGRAPHY [Master Designers in Print 1] ; and 5: TYPOGRAPHY [Master Designers in Print 2]. New York: AGP Mathews/Ex Libris, 1981.
[CONSTRUCTIVISM] Francoise Karshan-Essellier [directeur et redacteur en chef]: VH 101: L'ARCHITECTURE ET L'AVANT-GARDE ARTISTIQUE EN URSS DE 1917 A 1934. Paris: VH 101, 1972. Original edition [Numero 7-8: Printemps - Ete 1972].
[Corbusier] Le Corbusier cover and profile in GRAPHIS 73. Zurich: Graphis Press 1957. Volume 13, No. 73, 1957.
Costantini, Fuso, and Mescola (curators): NUOVO PAESAGGIO AMERICANO. DIALECTICAL LANDSCAPES [Fotografie di Robert Adams, Lewis Baltz, William Eggleston, John Gossage, Stephen Shore]. Milano: Edizioni Electa SPA, 1987.
Crosby, Theo [Designer and Editor]: UPPERCASE 4. London: Whitefriars, n. d. [1960].
Daiter, Stephen (foreword): LIGHT AND VISION: PHOTOGRAPHY AT THE SCHOOL OF DESIGN IN CHICAGO, 1937-1952. Chicago: Stephen Daiter Photography Gallery, 1994.
Damase, Jacques: REVOLUTION TYPOGRAPHIQUE. Geneva: Galerie Motte, 1966.
Eames, Ray and John Neuhart, Marilyn Neuhart: EAMES DESIGN: THE WORK OF THE OFFICE OF CHARLES AND RAY EAMES. New York: Abrams 1989. An Inscribed copy.
Eames, [Office of] Charles & Ray: THE WORLD OF FRANKLIN AND JEFFERSON. New York: The Metropolitan Museum of Art and the IBM Corporation, 1976.
Eames, [Office of] Charles & Ray: IMAGES OF EARLY AMERICA. Venice, CA: The Office of Charles and Ray Eames for the Herman Miller Furniture Company, 1976.
Eames, [Office of] Charles & Ray, Philip and Phylis Morrison: POWERS OF TEN. San Francisco: W. H. Freeman / Scientific American Library, 1982. With the compliments of Ray Eames.
Evans, Myfanwy (editor): AXIS No. 4. A QUARTERLY REVIEW OF CONTEMPORARY "ABSTRACT" PAINTING AND SCULPTURE. Henley-on-Thames [Fawley Bottom Farm-House]: Myfanwy Evans, 1935.
Bucheim, Lothar-Gunther: THE GRAPHIC ART OF GERMAN EXPRESSIONISM. Germany: Bucheim Verlag Feldafing, 1960.
Fiedler, Jeannine [Editor]: PHOTOGRAPHY AT THE BAUHAUS. Cambridge: The MIT Press, 1990.
Fontcuberta, Joan [concepcion y comisariado]: IDAS Y CAOS: ASPECTOS DE LAS VANGUARDIAS FOTOGRAFICAS EN ESPANA. Madrid: Ministerio de Cultura, 1984.
Frankl, Paul T.: NEW DIMENSIONS. THE DECORATIVE ARTS OF TODAY IN WORDS AND PICTURES. NYC: Brewer and Warren, 1928.
[Frank, Robert] Thomas H. Garver (introduction): 12 PHOTOGRAPHERS OF THE AMERICAN SOCIAL LANDSCAPE. Waltham, MA: Brandeis University and the Poses Institute of Fine Arts, 1967.
Frank, Robert: THE LINES OF MY HAND. NYC: Lustrum Press, 1972.
Friedlander, Lee: SELF-PORTRAIT: PHOTOGRAPHS BY LEE FRIEDLANDER. New York: Haywire Press, 1970.
[F. S. A.] Reid, Kenneth [Editor]: THE NEW PENCIL POINTS. East Stroudsburg, PA: Reinhold Publishing Company, Volume 23, Number 12, December 1942.
Giedion, Sigfried: SPACE, TIME AND ARCHITECTURE [THE GROWTH OF A NEW TRADITION]. Cambridge, MA: Harvard University Press, 1941. Third printing from 1943. INSCRIBED ASSOCIATION COPY.
Goldin, Nan: THE BALLAD OF SEXUAL DEPENDENCY. NYC: Aperture, 1986.
[GRAPHIS] Herdeg, Walter [Editor]: GRAPHIS. Zurich: Graphis Press, Volume 1, No. 1/2, 1944 - Volume 42, Number 246, November/December 1986.
[GRAPHIS ANNUAL] Herdeg, Walter [Editor]: GRAPHIS ANNUAL. Zurich: Graphis Press, 1952-1986.
Greenbaum and Eidelberg: MESSENGERS OF MODERNISM: AMERICAN STUDIO JEWELRY 1940-1960. NYC: Flammarion, 1996.
Green, John d (Photography) David Tree (Art Direction), Anthony Haden-Guest (Captions): BIRDS OF BRITAIN. New York: The Macmillan Co., 1967.
Greiman, April: DESIGN QUARTERLY 133: DOES IT MAKE SENSE? Cambridge: MIT Press/Walker Art Center, 1986.
Guggenheim Foundation, Hilla Rebay [essay]: THIRD ENLARGED CATALOGUE OF THE SOLOMON R. GUGGENHEIM COLLECTION OF NON-OBJECTIVE PAINTINGS. New York: Solomon R. Guggenheim Foundation, 1938.
Hayward Gallery/Arts Council of Great Britain: THIRTIES. BRITISH ART AND DESIGN BEFORE THE WAR. London: Arts Council of Great Britain, 1979.
[Heartfield] John Heartfield's photomontages profiled in: GRAPHIS 13. Zurich: Graphis Press 1946. Volume 2, No. 13, 1946.
[Heino, Vivika and Otto] Forest L. Merrill [Collector's Foreword]: THE ART OF VIVIKA AND OTTO HEINO [FEATURING WORKS FROM THE COLLECTION OF FORREST L. MERRILL]. Ventura, CA and Los Angeles: Ventura County Museum of History and Art and Craft and Folk Art M
[Hepworth, Barbara ] Read, Herbert : BARBARA HEPWORTH CARVINGS AND DRAWINGS. London: Lund Humphries, 1952.
Herdeg, Walter (Editor): GRAPHIS 1/2. Zurich: Graphis Press 1944. Volume 1, No. 1/2, 1944.
Hulten, K. G. Pontus: THE MACHINE [AS SEEN AT THE END OF THE MECHANICAL AGE]. New York: Museum of Modern Art, 1968.
[Jewelry] Renee Sabatello Neu (curator): JEWELRY BY CONTEMPORARY PAINTERS AND SCULPTORS [MODERNER SCHMUCK VON MALERN UND BILDHAUERN - MODERNE JUWELEN DOOR SCHILDERS EN BEELDHOUWERS]. NYC: Museum of Modern Art, n.d. (circa 1966).
Koudelka, Josef: MISSION PHOTOGRAPHIQUE TRANSMANCHE. Photographs by Josef Koudelka. Centre de Développement Culturel de Calais/Centre Régional de la Photographie Nord Pas-de-Calais: Cahier 6. Éditions de la Différence, 1989.
Lavin et al: MONTAGE AND MODERN LIFE 1919-1942. Cambridge: The MIT Press, 1992.
Leonard and Glassgold (editors): ANNUAL OF AMERICAN DESIGN 1931.NYC: Ives Washburn, 1930.
Le Corbusier: THE DECORATIVE ART OF TODAY. Cambridge; MIT Press, 1987.
Le Corbusier [pseudonym of Charles Edouard Jeanneret]: LA VILLE RADIEUSE. Boulogne: Editions de L'Architecture d'Aujourd'hui, 1935.
Lyon, Danny: THE BIKERIDERS. New York and London: Macmillan Co. and Collier-Macmillan Limited, 1968.
Lyon, Danny and McCune, Billy: CONVERSATIONS WITH THE DEAD. PHOTOGRAPHS OF PRISON LIFE WITH THE LETTERS AND DRAWINGS OF BILLY MCCUNE #122054. NYC: Holt, Rinehart and Winston, 1971.
Marzona, Egidio: BAUHAUS PHOTOGRAPHY. Cambridge & London: The MIT Press, 1985.
[Masereel, Franz] Avermaete, Roger: FRANZ MASEREEL. London: Thames and Hudson, 1977.
[Matter, Herbert] Adrian Bättig and Markus Britschgi, Armin Hoffmann [Designer]: HERBERT MATTER: FOTO-GRAFIKER, SEHFORMEN DER ZEIT. Baden: Lars Muller in conjunction with the Schweizerischen Stiftung für Photographie, 1995.
Meiselas, Susan: CARNIVAL STRIPPERS. NYC: Farrar Straus and Giroux, 1976.
Mercer and Holme (editors): ART & INDUSTRY. London: The Studio, July - December 1936 (volume 21).
Moholy-Nagy, Roh and Tschichold: 60 FOTOS, 60 PHOTOS, 60 PHOTOGRAPHIES. Berlin: Klinkhart & Biermann, 1930.
Moholy-Nagy, Laszlo: MALEREI, FOTOGRAFIE, FILM. Munich: Albert Langen Verlag, 1927.
[Moholy-Nagy] Julie Saul [essay]: MOHOLY-NAGY / FOTO-PLASTIKS: THE BAUHAUS YEARS. New York: The Bronx Museum of the Arts, 1983.
[Moholy-Nagy] Annely Juda Fine Art: LASZLO MOHOLY-NAGY: A LIFE IN MOTION. London: Annely Juda Fine Art, 2004.
Moholy-Nagy, Laszlo: THE NEW VISION: FUNDAMENTALS OF DESIGN, PAINTING, SCULPTURE, ARCHITECTURE (The New Bauhaus Books Series 1). NYC: W. W. Norton & Company, 1938.
Moholy-Nagy, Laszlo: VISION IN MOTION. Chicago: Theobald 1947.
Mudford, Grant: GRANT MUDFORD. Tokyo: Gallery Min, 1986.
Nordness, Lee: OBJECTS: USA [WORKS BY ARTIST-CRAFTSMEN IN CERAMIC, ENAMEL, GLASS, METAL, PLASTIC, MOSAIC, WOOD, AND FIBER]. NYC: Viking Press/Studio, 1970.
[Paalen, Wolfgang] Christian Kloyber [Editor]: WOLFGANG PAALEN'S DYN: THE COMPLETE REPRINT. Wien and New York City: Springer-Verlag, 2000.
[PHOTOGRAPHIE] Philippe Soupault [Essayist]: PHOTOGRAPHIE [PHOTO 1931]. Paris: Arts et Metiers Graphiques, 1931.
[PHOTOGRAPHIE] Andre Beucler [Essayist]: PHOTOGRAPHIE [PHOTO 1932]. Paris: Arts et Metiers Graphiques, 1932.
[PHOTOGRAPHIE] Pierre Abraham [Editor]: PHOTOGRAPHIE 1935. Paris: Arts et Metiers Graphiques, 1935.
[Posters] Franciscono and Prokopoff: THE MODERN DUTCH POSTER. THE FIRST FIFTY YEARS 1890-1940. Cambridge and Urbana: MIT Press with the University of Illinois, 1987.
[POSTERS / PLAKAT] Special issue of TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association [Volume 40, No. 11, November 1933].
Radice, Barbara [Curator]: ELOGIO DEL BANALE. Milan/Torino: Studio Forma/Alchymia, 1980.
Rand, Paul with Paepcke and Jacobson: MODERN ART IN ADVERTISING. Designs for Container Corporation of America. Chicago: Container Corporation of America/Paul Theobald, 1946.
Rand, Paul: PORTFOLIO: A NEW KIND OF GRAPHIC ARTS MAGAZINE. N. P. [Cincinnati: Zebra Press, 1950].
Rand, Paul [et al]: SUBWAY ADVERTISING CARDS. New York: New York Subways Advertising Company, n. d. [1947]. Set of 17 cards.
Read, Herbert: HENRY MOORE SCULPTOR [An Appreciation by Herbert Read with Thirty-Six Plates]. London: A. Zwemmer Gallery, 1934.
[Rodchenko] German Kargino: RODCSENKO. Corvina: Budapest, 1975.
Rogers and Teague: ITALY AT WORK. HER RENAISSANCE IN DESIGN TODAY. Rome: The Compagnia Nazionale Artigiana, 1950.
Ruscha, Edward: EVERY BUILDING ON THE SUNSET STRIP. Los Angeles: Edward Ruscha [Heavy Industry Publications], 1966 / 1970. Second edition of 5000 copies.
Schlemmer, Moholy-Nagy, Molnar, Gropius: THE THEATER OF THE BAUHAUS. Middletown: Wesleyan University Press, 1961.
[Schwitters, Kurt] Ernst Schwitters [essay]: KURT SCHWITTERS: TYPOGRAPHIE UND WERBEGESTALTUNG. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Shulman, Julius: ARCHITECTURE AND ITS PHOTOGRAPHY. Koln: Taschen, 1998.
[Sommer] Glenn and Bledsoe (Editors): FREDERICK SOMMER AT SEVENTY-FIVE: A RETROSPECTIVE. Long Beach, CA: The Art Museum and Galleries, California State University, 1980.
[Soviet Posters] V. Lyakhov: SOVIET ADVERTISING POSTER 1917-1932 [DAS SOWJETISCHE REKLAMEPLAKAT]. Moscow: 1972.
Spencer, Herbert: THE LIBERATED PAGE -- A TYPOGRAPHICA ANTHOLOGY. San Francisco: Bedford Press, 1987.
Spencer, Herbert: TYPOGRAPHICA 8. London: Lund Humphries, 1963.
Spencer, Herbert: TYPOGRAPHICA 11. London: Lund Humphries, 1955.
Spencer, Herbert : WITHOUT WORDS: PHOTOGRAPHS BY HERBERT SPENCER. London: Victoria and Albert Museum/BAS Printers, 1999. Limited edition of 250 copies.
[Sutnar, Ladislav] American Institute of Graphic Arts: SUTNAR: VISUAL DESIGN IN ACTION [Poster Title]. New York: Pepsi-Cola Exhibition Gallery in association with the Contemporary Arts Center, Cincinnati and Champion Papers, [n. d. --1961].
Taeuber-Arp, Sophie H. (editor): PLASTIQUE [PLASTIC] No. 2. Paris: S. H. Arp, 1937. [Dimensionisme].
Teige, Karel: "Fototypografie, Applied Photography in Modern Typography" in TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association [Volume 40, No. 8, August 1933].
Varnedoe and Gopnick: HIGH AND LOW: MODERN ART AND POPULAR CULTURE. NYC: Museum of Modern Art with Harry Abrams, 1990.
[Vordemberge-Gildewart, Friedrich] Spencer, Herbert [essay]: FRIEDRICH VORDEMBERGE-GILDEWART: TYPOGRAPHIE UND WERBEGESTALTUNG. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Vostell and Higgins: FANTASTIC ARCHITECTURE. n.p.: Something Else Press, 1969.
Waldman, Diane: COLLAGE, ASSEMBLAGE AND THE FOUND OBJECT. NYC: Harry N. Abrams, 1992.
[Ward, Lynd] Robert L. Leslie and Percy Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 2, No. 6: February 1936.
Warhol, Andy: ASPEN MAGAZINE Number 3 - The Pop Art Issue. New York: Roaring Fork Press, 1966. In original Publishers decorated cardboard mailer.
Warhol, Andy: GEBRAUCHSGRAPHIK Volume 27, Number 4. Berlin: Gebrauchsgraphik, April 1956.
[Warhol, Andy] Francis de N. Schroeder [Editor]: INTERIORS. New York: Whitney Publications, May 1951 [Volume 110, no. 10].
Wilson, Richard Guy, Dianne H. Pilgrim, Dickran Tashjian: THE MACHINE AGE IN AMERICA 1918-1941. NYC: Brooklyn Museum of Art and Harry N. Abrams, 1986.
[WPA] Francis V. O'Connor: FEDERAL SUPPORT FOR THE VISUAL ARTS: THE NEW DEAL AND NOW. [A Report on the New Deal Art Projects in New York City and State with Recommendations for Present-Day Federal Support for the Visual Arts to the National Endowment for
[WPA Art Project] Ward, Lynd: A-D MAGAZINE. Volume 6, Number 5: June-July 1940.
[WPA Posters] DeNoon, Christopher: POSTERS OF THE WPA. Los Angeles: The Wheatley Press, 1987.