Mobilia no. 182, September 1970. Snedkerhuset ’70, Alfa Romeo 6c 1750 ss.

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Mobilia no. 182
September 1970

Mette Bratvold, Grete Jalk, Jørgen Kastholm [Editors]

Mette Bratvold, Grete Jalk, Jørgen Kastholm [Editors]: Mobilia no. 182. Snekkersten, Denmark: Mobilia, September 1970. Original edition. Text in Danish, English, German and French. Perfect bound and side stapled wrappers. Unpaginated. Multiple paper stocks. Fully illustrated articles in black and white and some color. Period furniture advertisements. Wrappers light worn but a very good or better copy.

10.25 x 10.18 magazine with elaborately designed editorial content and period furniture advertisements. The editors described their magazine thus: “Mobilia is an international subscription periodical for furniture, art, handicraft, etc. Mobilia is published in two issues, one of them in Danish and English, and the other one in Swedish and German, the text having been translated as a whole. Mobilia is issued to all members of Møbelfabrikantforeningen i Danmark [The Association of Danish Furniture manufacturers], of Møbelhandlernes Centralforening i Danmark [The Association of Furniture Dealers in Denmark], and of Indendørs Arkitekt Foreningen [The Association of Interior Architects]; in Sweden a collective subscription has been taken by Sveriges Möbelindustriförbund [The Association of Swedish Furniture Manufacturers]. “

  • Snedkerhuset ’70: Svend Erik Møller. 14 pages of the Cabinet-Makers Furniture Exhibition illustrated in black and white, plus a full-page color reproduction of the Exhibition Poster by Henry Anton Knudsen, I.D.D.
  • Alfa Romeo 6c 1750 ss: Bent Mackeprang. 8 pages illustrated in black and white.
  • Gute Form. 4 pages from the West German Industrial Design exhibition.
  • Chairs: Torben Schmidt. 6 page overview illustrated in black  and white.
  • An Alternate to Sterility: V. J. Papanek.
  • Industrial Design: Acton Bjørn.
  • Ivan Schlecter: Torben Schmidt. 8 pages illustrated in black and white.
  • The Clown’s Own Theatre Architecture Space Man
  • Om: Compasso Doro, Kastrup & Holmegaard Glass, Lunning Prize 1970, Kim Naver, Oiva Toikka, Jan Groth, etc.

Includes work by Leif Erik Rasmussen, Jørgen Gammelgaard, Grete Jalk, Ib Geersten, Gjerløv-Knudsen, Hans J. Wegner, Johan Hagen, Holger Nissen, Peder Moos, Westergaard Jensen, Fabricius & Kastholm, Robert Krups, Marcello Nizzoli, Carl Zeiss, Dieter Rams, Robert Bosch, Salvador Dalí, Harry Bertoia, Charles Eames, Kwak Hoi Chan, Marcel Breuer, Ernest Race, Gatti Paolini Teoduro, Laurent Dioptaz, Bernadotte & Bjørn, Mogens Koch, Jørgen Høj, Benni Schlechter, and others.

Includes advertising work by Arne Jacobsen, Fritz Hansen, Karl-Erki Ekselius, J. O. Carlsson, Ligna, Verner Panton, Bang & Olufsen Beomaster 3000!, Rud Thygesen & Johnny Sørensen, H. G. Møbler, Kevi, Knoll International, Højer, Rita & Vincent Lerche, Boltinge Stolefabrik, Domus Danica, Ussing & Hoff, Herman Miller Furniture Company, Cado,  J. L. Møller-Højbjerg, Ditte & Adrian Heath, Jason Møbler, and more.

In 1954 the four Scandinavian countries, Denmark, Sweden, Norway and Finland arranged what proved to be the most important marketing effort ever for Scandinavian design—the monumental exhibition Design in Scandinavia. From 1954 to 1957 Design in Scandinavia toured the United States and Canada. The exhibition was presented in 27 cities, and it was a huge success, initiated by The Danish Society of Arts and Crafts and its sister organizations in the other participating countries.

Based on the success the four countries established what they called the Scandinavian Design Cavalcade, which had a lot of US press coverage as well. In that connection the July 1959 issue of House Beautiful was centered around The Scandinavian Look in U.S. Homes, and it was Denmark and Danish Design in particular that the magazine focussed on. Besides the editorial pages, the numerous ads illustrates that Danish modern furniture was increasingly gaining a stronghold among certain groups of American consumers.

Importers and retail chains like John Stuart Inc., George Tanier, Raymor and Dunbar etc. now sold Danish modern furniture in the US, and by now it was not only hand crafted furniture from the Copenhagen Cabinetmakers’ Guild Exhibitions but also pieces from industrial furniture producers like Fritz Hansen, Søborg Møbelfabrik, Fredericia Furniture and many others. From the end of the 1950s Danish Department stores and other retailers produced comprehensive brochures and booklets in English with prices in US Dollars presenting Danish Design to American and other tourists.

Without exception, these stores all presented the narrative of Danish modern. “Denmark is known all over the world for its exquisite home furnishing, which are characterized by their outstanding design and superb craftsmanship” the department store Magasin claimed in its brochure “Danish Design.”

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