HANS J. WEGNER EN STOLEMAGER
Dansk Design Center
Dansk Design Center: HANS J. WEGNER EN STOLEMAGER. København: Dansk Design Center, 1989. First edition. Text in Danish with some parallel text in English. Slim square quarto. Printed French folded wrappers. 72 pp. Black and white photo illustrations and diagrams throughout. A fine uncirculated copy. Rare.
8.25 x 8 softcover exhibition catalog from the Dansk Design Center book with 72 devoted to case studies of 30 different Wegner chair designs from 1944 to 1986. Foreword includes facsimile signatures by Poul Hansen, Einar Pedersen, Kristian Jakobsen, and Marianne Wegner Sørensen.
Includes the Peacock Chair JH 550, the Rocking Chair J 16, the Lounge Chair PP 105, the Lounge Chair PP 112, the Lounge Chair CH 44, Peter’s Chair and Peter’s Table, the Chinese Chair (no. 1) FH 4283, the Chinese Chair (no. 4) PP 66, the Chair JH 501, the Wishbone Chair CH 24, PP V-Chair PP 51/3, the Armchair PP 201, the Armchair PP 63, the Armchair PP 68, the Folding Chair JH 512, the MoMA Design Competition 1948, the Shell Chair (prototype), the Three-legged Shell Chair (prototype), the High-back Chair JH 478, the Flag Halyard Chair GE 225, the Ox-chair EJ 100, the Swivel Chair JH 502, the Armchair JH 701, the Bull Chair JH 518, the Cowhorn Chair JH 505, the Valet Chair PP 250, the Conference Chair JH 513, the Rocking Chair PP 124, and the Hoop Chair PP 130.
Hans J. Wegner will always be remembered for these contributions to Danish design: he was a master carpenter first and a designer second, with perfectly finished joints and exquisite forms. He showed a deep respect for the wood and its character and an everlasting curiosity about good materials. He gave minimalism an organic and natural softness. He is considered as “the master chair-maker” and designed more than 500 chairs during the course of his life.
Hans J. Wegner (1914 – 2007) is widely considered to be one of the leading figures in 20th century furniture design - and a driving force in the “Danish Modern” movement that changed the way people looked at furniture in the 1950s and 1960s.
Hans Wegner was born in 1914 in Tønder, the son of a shoemaker. At the age of 17 he was apprenticed to a carpenter (H. F. Stahlberg) and it was at this time that he developed his first design. At the age of 20 he moved to Copenhagen to study at the institution now known as The Royal Danish Academy of Fine Arts, School of Design but which back then went under the more modest title of “The Artisan College.”
He studied there from 1936-1938, before taking further studies as an architect. In 1940 Wegner initiated a joint project with Arne Jacobsen and Erik Møller in Aarhus, which involved fitting out Aarhus' town hall. It was also in 1940 that Wegner began to work with Master Carpenter Johannes Hansen, a man who played a significant role in bringing modern design to the Danish public. The then Copenhagen Industrial Art Museum (now Design Museum Denmark) purchased their first Wegner chair in 1942. Hans J. Wegner opened his own design studio in 1943, and in 1944 he designed his first “China Chair” in a series inspired by the Chinese Emperor's thrones.
One of the chairs in this series is what is probably Wegner's most famous work “The Wishbone Chair,” which he designed in 1949, and which Carl Hansen & Søn have manufactured since 1950. Hans J. Wegner is regarded as one of the world's outstanding furniture designers. He was one of the motive forces behind the Danish Modern movement which did much to change people's view of furniture in the 1950s and 60s. His design retain relevance for us today and his sense for details is a source of constant wonder.
Wegner has received a number of prizes and recognitions. Amongst other things, he is an honorary member of The Royal Danish Academy of Fine Arts and has received an honorary doctorate from the Royal College of Art in London. He was also the first ever recipient of the Lunning Prize and received the 8th International Design Award in Osaka, Japan. His works are exhibited at major international museums including The Museum of Modern Art (MoMA) in New York and Die Neue Sammlung in Munich.