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ZWART, Piet. 30 RASSEGNA, PIET ZWART: L’OPERA TIPOGRAFICA 1923 – 1933 [THE TYPOGRAPHICAL WORK 1923 – 1933]. Bruno Monguzzi. Bologna: CIPIA, 1987. (Duplicate)
ZWART, Piet. Fridolin Müller: PIET ZWART. Teufen: Verlag Arthur Niggli AG, 1966. The definitive Monograph.
ZWART, Piet. Kees Broos: RETROSPEKTIVE FOTOGRAFIE: PIET ZWART. Düsseldorf: Edition Marzona, 1981.
ZWART, Piet. Fridolin Müller: PIET ZWART. London: Teranti, 1966. The definitive Monograph.
ZWART, PIET. C.A.H. Broos: PIET ZWART EN PTT. The Hague: Haags Gemeentemuseum, 1968.
ZWART, PIET. Total Design [Design]: PIET ZWART EN HET GEZICHT VAN BRUYNZEEL’S POTLODEN INDUSTRIE. Rotterdam: museum Boymans-van Beuningen, 1983.
Ex Libris: PIET ZWART: TYPOTEKT. New York: Arthur A. and Elaine Lustig Cohen/ Ex Libris Rare Books, 1981.
Gerstner, Karl: DIE NEUE GRAPHIK / THE NEW GRAPHIC ART. Teufen: Arthur Niggli, 1959. Inscribed to Piet Zwart.
ZWART, Piet, Paul Hefting: HET BOEK VAN PTT. Staatsuitgeverij: Den Haag, 1985. Offset facsimile of the 1938 edition.
Zwart, Piet: Pochoir Collotype. Paris: Editions d’Art Charles Moreau, 1929.
Zwart, Piet: NORMALIEENBOEKJE [Normalization Booklet]. Nuth, NL: Drukkerij Rosbeek BV, 1986. First edition [limited to 2,000 copies].
Zwart, Piet: HET LINNEN VENSTER [Serie Monografieën over Filmkunst, Volume 1]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1931.
Zwart, Piet: DERTIG JAAR FILM [Serie Monografieën over Filmkunst, Volume 2]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1932.
Zwart, Piet: NEDERLANDSCHE FILMKUNST [Serie Monografieën over Filmkunst, Volume 3]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1933.
Zwart, Piet: RUSSISCHE FILMKUNST [Serie Monografieën over Filmkunst, Volume 4]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1932.
Zwart, Piet: DUITSCHE FILMKUNST [Serie Monografieën over Filmkunst, Volume 5]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1931.
Zwart, Piet: FRANSCHE FILMKUNST [Serie Monografieën over Filmkunst, Volume 6]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1931.
Zwart, Piet: AMERIKAANSCHE FILMKUNST [Serie Monografieën over Filmkunst, Volume 7]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1933.
Zwart, Piet: DE ABSOLUTE FILM [Serie Monografieën over Filmkunst, Volume 8]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1931.
Zwart, Piet: DE KOMISCHE FILM [Serie Monografieën over Filmkunst, Volume 9]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1931.
Zwart, Piet: DE GELUIDSFILM [Serie Monografieën over Filmkunst, Volume 10]. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V., 1933.
Zwart, Piet: POSTZEGELKUNDE EN POSTWEZEN (Nederlandsch Maandblad voor Philatelie 1852 – 1932), 1932.
ZWART, PIET: 1885 – 1977. Amsterdam: Haags Gemeentemuseum Van Gennep Amsterdam, 1973 / 1982.
Zwart, Piet: SERIE MONOGRAFIEEN OVER FILMKUNST. Rotterdam: W. L. en J. Brusse’s Uitgeversmaatschappij N. V. , 1931 – 1933 [10 Volumes, all published].
DESIGN QUARTERLY 59: INDUSTRIAL DESIGN IN THE NETHERLANDS. Pieter Brattinga [Guest Editor & Designer]. Walker Art Center, 1964.
Ex Libris: EL LISSITZKY, SCHWITTERS, TSCHICHOLD, WERKMAN, ZWART [EX LIBRIS 13]. New York: Ex Libris, 1985.
TYPOMUNDUS 20. New York: Reinhold Publishing Corporation, 1966. International Center for the Typographic Arts.
Neumann, Eckhard: FUNCTIONAL GRAPHIC DESIGN IN THE 20’S. New York: Reinhold Publishing Corporation, 1967.
Eye no. 19. London: Wordsearch Ltd., Volume 5, Number 19, Winter 1995.
Eye no. 1. London: Wordsearch Ltd., Volume 1, Number 1 Autumn 1990.
PM / A-D. A-D Volume 7, Nos. 1 – 6, Oct. – Nov. 1940 to August – Sept. 1941. New York: The Composing Room / P.M. Publishing Co., 1941. Publishers bound volume [400 copies].
TYPOGRAFIE. Albert Kapr and Walter Schiller: GESTALT UND FUNKTION DER TYPOGRAFIE. Leipzig, GDR: Fachbuchverlag, 1983.
Spencer, Herbert: PIONEERS OF MODERN TYPOGRAPHY. New York: Hastings House, 1970. First American edition.
Martens, Karel: PRINTED MATTER / DRUKWERK. London: Hyphen Press, 1996 / 1997 first edition, second printing.
RING NEUE WERBEGESTALTER. AMSTERDAMER AUSSTELLUNG VON 1931. Typographie Kann Unter Umstanden Kunst Sein, 1990.
Boom, Irma [Designer] : NEDERLANDSE POSTZEGELS 1987/88 [POSTSTEMPELS, ACHTERGRONDEN, EMISSIEGEGEVENS EN VORMGEVING]. The Hague: Staatsbedrijf der PTT, 1988. (Duplicate)
TYPOGRAPHY TODAY / Idea Special Issue. Helmut Schmid [Concept and Design], Tokyo: Seibundo Shinkosha Publishing Co Ltd, 1980.
SCHUITEMA, PAUL. Dick Maan: PAUL SCHUITEMA: VISUAL ORGANIZER. Rotterdam: 010 Publishers, 2006.
INDUSTRIAL DESIGN July 1957. Alcoa Forecast Aluminum Design Program.
TYPOGRAPHICA 8. London: Lund Humphries, [New Series] December 1963, edited by Herbert Spencer.
TYPOGRAPHICA 7. London: Lund Humphries, [New Series] May 1963. Herbert Spencer [Editor].
BAYER, Herbert. GEBRAUCHSGRAPHIK, June 1938. Fifteen page feature on Bayer’s Dorland advertising work.
RASSEGNA 6: IL CAMPO DELLA GRAFICA ITALIANA [The Field of Italian Graphics], 1981. Italian with English cutlines.
MONTAGE AND MODERN LIFE 1919 – 1942. Cambridge: The MIT Press, 1992. Maud Lavin, Annette Michelson, Christopher Phillips, Sally Stein, Matthew Teitelbaum, Margarita Tupitsyn.
NEW TYPOGRAPHY. Kees Broos, Wim Crouwel [Designer]: MONDRIAAN, DE STIJL EN DE NIEUWE TYPOGRAFIE. Amsterdam: Uitgeverij De Buitenkant, Museum van het Boek, 1994. First edition [limited to 1,000 copies]. (Duplicate)
Steendrukkerij De Jong & Co.: LIBER AMICORUM [Steendrukkerij De Jong & Co, 1911 – 1971]. Hilversum, 1972.
Spencer, Herbert: PIONEERS OF MODERN TYPOGRAPHY. London: Lund Humphries, 1969. Softcover first edition.
BASELINE 11. London: Esselte Letraset, 1988. The Bradbury Thompson Issue; Tibor’s Typo Tips; Punk Typography and Seattle Punk Culture by Art Chantry.
Spencer, Herbert [Editor]: THE LIBERATED PAGE — A TYPOGRAPHICA ANTHOLOGY. San Francisco: Bedford Press, 1987.
TYPO-FOTO. ELEMENTAIRE TYPOGRAFIE IN NEDERLAND 1920 – 1940: Maan & Van Der Ree. Antwerp: Veen/Reflex, 1990.
POSTERS. Fern, Constantine and Vignelli: WORD AND IMAGE. POSTERS FROM THE COLLECTION OF THE MUSEUM OF MODERN ART. New York: The Museum of Modern Art, 1968.
RING NEUE WERBEGESTALTER 1928 – 1933: EIN UBERBLICK. Typographie Kann Unter Umstanden Kunst Sein. Hannover: Sprengel Museum, 1990.
Spencer, Herbert: PIONEERS OF MODERN TYPOGRAPHY. London: Lund Humphries, 1969. First edition. Review copy.
PM / A-D: December 1940 – January 1941, Volume 7, No. 2. New York: The Composing Room/P.M. Publishing Co.,
TYPOMUNDUS 20. New York: Reinhold Publishing Corporation, 1966. International Center for the Typographic Arts.
Allner, Walter: NAPLES [Poster]. Lissone, Italy: Arti Grafiche Meroni, [1984].
Tschichold, Jan: DIE NEUE TYPOGRAPHIE. Berlin: Verlag Des Bildungsverbandes Der Deutschen Buchdrucker, 1928. First edition [erstes bis fünftes tausend].
TYPOGRAPHY. Lewis Blackwell: TWENTIETH-CENTURY TYPE. New York: Rizzoli International Publications, 1992.
Swarte, Joost [Designer]: DE IDEALE POSTZEGEL [The Ideal Postage Stamp: A Bundle of Ideas Prompted by the Departure of Paul Hefting of KPN, Art and Design].
NEW TYPOGRAPHY. Sonja Herst: TYPO | MERZ: NIEUWE TYPOGRAFIE 1915 – 1940. Amsterdam: Stedelijk Museum, 1978.
TYPOGRAPHY. Andre Belleguie: LE MOUVEMENT DE L’ESPACE. TYPOGRAPHIQUE ANNEES 1920-1930. Paris: Jacques Damase Editeur, 1984.
Dooijes, Dick: WEGBEREIDERS VAN DE MODERNE BOEKTYPOGRAFIE IN NEDERLAND. Amsterdam: Uitgeverij De Buitenkant, 1988. First edition [limited to 1,500 copies].
DUTCH PTT 1920 – 1990, DESIGN IN THE PUBLIC SERVICE. London: Design Museum, 1990 [limited edition of 2,000 copies]. Gerard Forde, 8vo [Design]
Gerstner, Karl, Markus Kutter: DIE NEUE GRAPHIK / THE NEW GRAPHIC ART / LE NOUVEL ART GRAPHIQUE. Niggli, 1959.
GEBRAUCHSGRAPHIK, February 1938 . Edited by H. K. Frenzel, Joseph Binder Cover; Willi Kunze; 24-sheet poster competition; Jean Picart le Doux; Lubeck city publicity, etc.
Ades, Dawn: THE 20TH CENTURY POSTER: DESIGN OF THE AVANT GARDE. New York: Abbeville Press, 1984. Selections from the Merrill C. Berman collection.
TYPOGRAPHY. Gottschall, Edward M.: TYPOGRAPHIC COMMUNICATIONS TODAY. Cambridge, MA: The MIT Press, 1989.
COLLAGEN: DIE TECHNIK DER COLLAGE IN DER ANGEWANDTEN KUNST. Zürich: Kunstgewerbemuseum, 1968.
Ex Libris: EX LIBRIS 11. New York: Ex Libris, 1983. Arthur A. and Elaine Lustig Cohen. 380 item catalog.
Ex Libris: GRAPHIC DESIGN. New York: Ex Libris, [1983]. Arthur A. and Elaine Lustig Cohen. 115 item catalog.
FOTOGRAFIA PUBLICA: PHOTOGRAPHY IN PRINT 1919 -1939. Madrid: Museo Nacional Centro de Arte Reina Sofia, 1999. (Duplicate)
POSTERS. Dawn Ades: THE 20TH CENTURY POSTER: DESIGN OF THE AVANT GARDE. New York: Abbeville Press, 1984.
DUTCH GRAPHIC DESIGN 1918 – 1945. Alston W. Purvis, New York: Van Nostrand Reinhold, 1992.
Ades, Dawn: PHOTOMONTAGE. New York: Pantheon Books, 1976.
OCTAVO. JOURNAL OF TYPOGRAPHY: 90 . 7, The New Synthesis. London: Eight Five Zero, July 1990.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 1 – 5 (all published). New York: Ex Libris, 1981. Futurism, Lissitzky, Dada, Typography 1; and Typography 2.