DOMUS 368. Milan, Editoriale Domus: Luglio 1960. Gio Ponti [Editorial Director]. 

Prev Next

Out of Stock

DOMUS 368
Luglio 1960

Gio Ponti [Editorial Director]

Gio Ponti [Editorial Director]: DOMUS 368. Milan, Editoriale Domus: Luglio 1960.  Original edition. Text in Italian. English, German and French translation summary. Slim folio. Thick photo illustrated perfect bound wrappers.  Side stitched textblock. 60 [iv] pp. Articles and advertisements. Multiple paper stocks and inserts. Elaborate graphic design throughout. Cover by Arno Hammacher. Wrappers lightly worn with lower corner bumped, but a very good copy.

9.75  x 12.75  vintage magazine with 60 [iv] pages printed on a variety of paper stocks of black and white [and some color] examples of the best modern interior and industrial design, circa 1960 -- with  beautiful engraving and gravure printing throughout.

  • Che Costa E Cambiato A Londra? by Gillo Dorfles
  • Casa a Richmond by James Stirling, James Gowan
  • In Una Villa di Le Corbusier in Svizzera by A. Mangiarotti, B. Monrassutti
  • Mobili Antichi in una Casa Moderna by Ignazio Gardella
  • All’Ultimo Piano con la Vista Dellago by Ico and Luisa Parisi
  • Bruno Munari Alla “Scoperta Del Quadrato” illustrated book review
  • Art Glass by Monica Morales-Schildt
  • Prefabricated Aluminum House by Romolo Donatelli
  • Full page Olivetti Diaspron 82 color ad by to rear panel.
  • and more.

Long considered Europe's most influential architecture and design magazine, Domus was founded by Gio Ponti in 1928 as a "living diary" in which he could advertise his own work, outline the "aims" of his projects and raise people's awareness about other design issues. Called the "Mediterranean Megaphone, " Domus lauded mass-production and tried to link architecture and artisans in a new, unforeseen ways.  Ponti left Domus in 1940 to start his other journal, Stile in which he could focus on art and the impact of the war on Italian architects and architecture. In 1948 Ponti returned to Domus, where he recast it in his own eclectic, exuberant vision of the modern and tirelessly championed designers he admired, notably Carlo Mollino.

In his 1957 book Amate L'Architettura (In Praise of Achitecture) Ponti extolled his audience to "Love architecture, be it ancient or modern. Love it for its fantastic, adventurous and solemn creations; for its inventions; for the abstract, allusive and figurative forms that enchant our spirit and enrapture our thoughts. Love architecture, the stage and support of our lives." This spirit reverberates through every page of Domus.

LoadingUpdating...