EAMES HOUSE
John and Marilyn Neuhart
John and Marilyn Neuhart: EAMES HOUSE. Wissenschaften: Ernst & Sohn, 1994. First edition. Text in English and German Square quarto. Debossed black cloth. Photo illustrated dust jacket. 64 pp. Fully illustrated with color and black and white photographs and illustrations. Interior unmarked and very clean. Out of print. A fine copy in a fine dust jacket.
9.75 x 10.5 hardcover book with 64 pages and fully illustrated with color and black and white photographs and illustrations. Book design by the Neuharts with principle photography by the Neuharts and Julius Shulman.
John and Marilyn Neuhart were staffers at the Eames Office and designed the Connections Exhibit, the first exhibit ever devoted soley to the work of the Eames Office. Produced in full cooperation with both Ray and Charles, the Connections Exhibit eventually became the basis for EAMES DESIGN that the Neuhart's co-authored with Ray Eames after Charles' death.
The Eames House, Case Study House #8, was one of 25 homes built as part of The Case Study House Program. The program came into being in the mid-1940s and continued through the early 1960s, largely through the efforts of John Entenza, publisher of Arts and Architecture magazine. The magazine announced that it would be the clients for a series of architect-design homes to be built and furnished using materials and techniques derived from the experiences of the second World War and best suited to express man's life in the modern world. Each home built would be for a real or hypothetical client taking into considerations their particular housing needs.
Charles and Ray proposed that the home they designed would be for a married couple who were basically apartment dwellers working in design and graphic arts, and who wanted a home that would make no demands for itself, but would, instead serve as a background for as Charles would say, "life in work" with nature as a "shock absorber."
The first plan of their home, known as the Bridge House, was designed by Charles Eames and Eero Saarinen in 1945. Because it used off-the-shelf parts ordered from catalogues, and the war had caused a shortage in materials delivery, the steel did not arrive until late 1948. By then, Charles and Ray had "fallen in love with the meadow," in Ray's words, and felt that the site required a different solution.
Charles and Ray then posed themselves a new problem: How to build a house with maximized volume with the same elements and not destroy the meadow. Using the same off-the-shelf parts, but ordering one extra steel beam, Charles and Ray re-configured the House. It is this design which was built and remains today.
Charles and Ray moved into the House on Christmas Eve, 1949, and lived here for the rest of their lives. The interior, its objects and its collections remain very much the way they were in Charles and Ray's lifetimes. The house they created offered them a space where work, play, life, and nature co-existed.
The House has now become something of an iconographic structure visited by people from around the world. The charm and appeal of the House is perhaps best explained in the words of Case Study House founder, John Entenza, who felt that the Eames House "represented an attempt to state an idea rather than a fixed architectural pattern."