11 RASSEGNA
GIUSEPPE TERRAGNI 1904/1943
Vittorio Gregotti [Direttore responsabile]
Vittorio Gregotti [Direttore responsabile]: 11 RASSEGNA: GIUSEPPE TERRAGNI 1904/1943. Bologne: Editrice CIPIA, 1982. Original edition [Anno IV, no. 11 – settembre 1982]. Text in Italian with parallel captions in English and English text translation to rear. Quarto. Plain thick wrappers. Printed dust jacket. 88 [xxxiv] pp. 270 illustrations. Illustrated articles and advertisments. Interior unmarked and very clean. Out-of-print. Gallery inkstamps early and late. Lightly handled, so a nearly fine copy.
9 x 12 soft cover book with 122 pages and 270 illustrations, some in color. The bulk of the journal [88 pages] is devoted to Italian Rationalist Architect Giuseppe Terragni's work.
- Editoriale by Vittorio Gregotti
- Lo scavo analitico. Astrazione e formalism nell'architettura di Giuseppe Terragni
- Il superomismo di Terragni giovane by Giacomo Polin
- Giuseppe Terragni 1904/1943: Edificio ad appartamenti della Societa Novocomun; Casa del Fascio di Como; Progetto per l'ampliamento dell'Accademia di Brera; Asilo Infantile Sant'Elia; Casa ad appartamenti Lavezzari; Concorso per il Palazzzo del Littorio Roma [testi di Daniele Vitale]
- Il lessico urbano di Giuseppe Terragni by Enrico Mantero
- Bibliografia
- Illustrated advertising section includes Un'industria per il design: La ricerca, I designers, l'immagine [B&B Italia]
Giuseppe Terragni (1904 – 1943) was an Italian architect who worked primarily under the fascist regime of Benito Mussolini and pioneered the Italian modern movement under the rubric of Rationalism. His most famous work is the Casa del Fascio built in Como, northern Italy, which was begun in 1932 and completed in 1936; it was built in accordance with the International Style of architecture and frescoed by abstract artist Mario Radice. In 1938, at the behest of Mussolini's fascist government, Terragni designed the Danteum, a monument to the Italian poet Dante Alighieri structured around the formal divisions of his greatest work, the Divine Comedy.
Terragni attended the Technical College in Como then studied architecture at the Politecnico di Milano university. In 1927 he and his brother Attilio opened an office in Como. They remained in practice until Giuseppe's death during the war.
A pioneer of the modern movement in Italy, Terragni produced some of its most significant buildings. A founding member of the fascist Gruppo 7 and a leading Italian Rationalist, Terragni fought to move architecture away from neo-classical and neo-baroque revivalism. In 1926 he and other progressive members of Gruppo 7 issued the manifesto that made them the leaders in the fight against revivalism.
In a career that lasted only 13 years, Terragni created a small but remarkable group of designs; most of them were built in Como, which was one of the centers of the Modern Movement in Italy. These works form the nucleus of the language of Italian rationalist or modernistic architecture. Terragni was also one of the leaders of the artistic group called "astrattisti comaschi" with Mario Radice and Manlio Rho, one of the most important events in Italian Modern Art. He also contributed to the 1932 Exhibition of the Fascist Revolution.
In his last designs, Terragni achieved a more distinctive Mediterranean character through the fusion of modern theory and tradition. Terragni died of thrombosis in Como in 1943.
Under the loose directorship of Vittorio Gregotti, Rassegna was an Italian Design magazine underwritten by six Italian firms: Ariston, B&B Italia, Castelli, iGuzzini illuminazione, Molteni and co., and Sabiem. Each issue was devoted to a single designer or theme and lavishly produced, with high-quality reproduction and carefully selected and presented illustrations.