DESIGN QUARTERLY 73 / FORM FOLLOWS FICTION. Minneapolis, MN: Walker Art Center, 1969. Christopher Finch [curator and editor] with Andrew Rabeneck and Tony Shafrazi [guest editors].

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DESIGN QUARTERLY 73
FORM FOLLOWS FICTION

Christopher Finch [Curator and Editor]
with Andrew Rabeneck and Tony Shafrazi [Guest Editors]

Christopher Finch [Curator and Editor] with Andrew Rabeneck and Tony Shafrazi [Guest Editors]: DESIGN QUARTERLY 73 / FORM FOLLOWS FICTION. Minneapolis, MN: Walker Art Center, 1969. First edition [Number 73, 1969]. Slim quarto. Photo illustrated perfect bound wrappers. 32 pp. with many black-and-white illustrations and three fold outs [Tony Shafrazi].  Interior unmarked and very clean. Out-of-print. Light wear overall, but a very good copy.

8.25 x 10.75 perfect-bound magazine with 32 pages and many black-and-white illustrations and three fold outs [Tony Shafrazi]: It may happen—and I believe we should encourage it—that the disciplines of tastemaking are replaced by a new discipline of seeing.

Includes work by Le Corbusier, Robert Grovrenor, Robert Rauschenberg, Frank Stella, Dan Flavin, Donald Judd, Marcel Duchamp, Claes Oldenburg, Robert Morris, Tony Shafrazi, Richard Hamilton, Joe Goode, Ed Ruscha, Lucas Samaras, Eduardo Paolazzo, Bob Graham and Walter De Maria among others.

Design Quarterly began as Everyday Art Quarterly, published by the Walker Art Center in Minneapolis starting in 1946. The editorial focus aimed to bring modern design to the masses through thoughtful examination of household objects and their designers. Everyday Art Quarterly was a vocal proponent of the Good Design movement (as represented by MoMA and Chicago's Merchandise Mart) and spotlighted the best in industrial and handcrafted design. When the magazine became Design Quarterly in 1958, the editors assumed a more international flair in their selection of material to spotlight.

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