EMIGRE 32
Essays, Texts and Other Writings about Graphic Design
Rudy VanderLans and Zuzana Licko
Rudy VanderLans and Zuzana Licko: EMIGRE 32 [Essays, Texts and Other Writings about Graphic Design]. Berkeley, CA: Emigre, 1994. Original edition. Slim quarto. Thick saddle stitched wrappers. [40] pp. Multiple paper stocks. Elaborate graphic design throughout. Lightly handled, but a nearly fine copy of this journal whose size and contents inevitably invited abuse.
11.25 x 16.75 saddle stitched magazine exploring the nature of heritage in contemporary Graphic Design, circa 1994. Printed at Cal Central, Sacramento, CA. Designer and Editor: Rudy VanderLans. Digital type design and typesetting: Zuzana Licko. Designer at large: Gail Swanlund.
Contents
- Sloy, (automatic writing)
- Mail (including Jonathan Barnbrook and Kevin Fenton)
- Andrew Blauvelt, In and Around: Cultures of Design and the Design of Cultures, Part 1 (essay)
- Brian Schorn, Breathing through the Body of A: A Typographical Approach for the Future (essay and type illustrations)
- Hugues C. Boekraad, Norm and Form: On the Role of Graphic Design in the Public Domain (essay)
- Putch Tu, Route 666: Transgressing the Information Superhighway (essay)
- Mark Bartlett, Beyond the Margins of the Page (essay)
- Zuzana Licko, Discovery by Design (essay)
- Victor Margolin and Christine Celano, Letters to Christine: An Intertextual Collaboration (text and design)
From Emigre's website: “Emigre, Inc. is a digital type foundry based in Berkeley, California. Founded in 1984, coinciding with the birth of the Macintosh computer, the Emigre team, consisting of Rudy VanderLans and Zuzana Licko, with the addition of Tim Starback in 1993, were among the early adaptors to the new digital technology.
“From 1984 until 2005 Emigre published the legendary Emigre magazine, a quarterly publication devoted to visual communication. Emigre created some of the very first digital layouts and typeface designs winning them both world-wide acclaim and much criticism. The exposure of these typefaces in Emigre magazine eventually lead to the creation of Emigre Fonts, one of the first independent type foundries utilizing personal computer technology for the design and distribution of fonts. They created the model for hundreds of small foundries who followed in their footsteps.
“As a team, Emigre has been honored with numerous awards including the 1994 Chrysler Award for Innovation in Design, and the 1998 Charles Nypels Award for excellence in the field of typography. In 1993 they were selected as a leading design innovator in the First Annual I.D. Forty. Emigre is also a recipient of the 1997 American Institute of Graphic Arts Gold Medal Award, its highest honors. In October 2010 the Emigre team was inducted as Honorary members of the Society of Typographic Arts, Chicago, and in 2013 Licko received the prestigious Annual Typography Award from the Society of Typographic Aficionados. Most recently Emigre received the 29th New York Type Directors Club Medal. Watch the video tribute shown at the presentation of the TDC Medal in the Rose Auditorium at The Cooper Union in New York City in July 2016.
“Complete sets of Emigre magazine are in the permanent collections of: The Museum of Modern Art in New York, The Design Museum in London, The Denver Art Museum, The Museum of Modern Art in San Francisco, The Museum fur Gestaltung in Zurich; and in 2011, five digital typefaces from the Emigre Type Library were acquired by MoMA New York for their permanent design and architecture collection.“