DECO TYPES FOR THE DYNAMIC SEVENTIES
Alphabet Directions Number Eleven
Photo-Lettering Inc., Ed Benguiat [Designer]
Ed Benguiat [Designer]: DECO TYPES FOR THE DYNAMIC SEVENTIES. New York City: Photo-Lettering Inc., 1970 [Alphabet Directions Number Eleven]. Original edition. Slim quarto. Stapled thick silver printed wrappers. 16 pp. Photocomposition samples presented via elaborate graphic design. Metallic wrappers lightly scuffed [as usual], but a very good or better copy.
"Another Photo-Lettering First, to stimulate excitement in the Graphic Arts — Deco Types for the Dynamic Seventies."
9 x 12 softcover book with 16 pages copiously illustrated in two colors throughout. Designed by Ed Benguiat. Includes royalty alphabets by Norman Green, David West, Carl Dellacroce, Charles Papirtis, Richard Nebiolo, Doug Gill, Mike Hinge, John Theodore, Anthony Sini, Joseph Lunar, Ovidu Opre, Melville Bernstein, William Michas, Jr., and Geoffrey Hodgkinson.
From Luc Devroye, McGill University on Extinct 20th Century Foundries: "New York based photocomposition, lettering and digital type business active from 1936-1997, cofounded by Harold Horman and Edward Rondthaler in 1936 . . . . It was one of the earliest and most successful type houses to utilize photo technology in the production of commercial typography and lettering."
“Founded in 1936, Photo-Lettering was one of the earliest and most successful type houses that utilized photographic methods to produce commercial lettering and typography. In the go-go golden age of Madison Avenue advertising, Photo-Lettering’s proprietary workflow and vast library provided significant technological and stylistic advantages over its competitors. From World War II propaganda posters to iconic rock album covers and blockbuster movie logos, Photo-Lettering’s body of work represents a quintessential visual history of twentieth-century American advertising and design. Photo-Lettering eventually closed its doors in the mid-90s, failing to keep up with the digital publishing revolution and leaving some of the most illustrative display typography to gather dust and slowly decompose. The company’s ubiquitous colorful case-bound catalogs and specimen books, however, survived and became a key part of our (and many other graphic designers’) swipe file/reference library.
“PLINC, as it was affectionately known to art directors, was a mainstay of the advertising and design industry in New York City from 1936 to 1997. In the days before facsimile, flatbed scanners and email, copper borne telephone instructions buzzed beneath the streets while couriers beat a well-worn path between Madison Avenue advertising agencies and Photo-Lettering’s Murray Hill facility.
“Photo-Lettering is best known by today’s graphic designers for its ubiquitous type catalogs. Cast off at the beginning of the digital revolution as obsolete relics, designers soon began to see the books as an oasis of lettering, typographic and design influence.
“Sixty years worth of brilliantly-designed marketing collateral combined with work submitted from A-list designers and pop artists formed a lithophotographic legacy that would keep any modern-day reference blogger’s intern busy for years. While each combination of alphabet styles, colors and shapes may evoke a certain time period in PLINC’s illustrious history, these visual lessons are relevant in any era.” — House Industries [PLC2018]