Mobilia no. 73
August 1961
Poul Henningsen, Gunnar Bratvold [Editors]
Poul Henningsen, Gunnar Bratvold [Editors]: Mobilia no. 73. Snekkersten, Denmark: Mobilia, Volume VI, August 1961. Original edition. Text in Danish, English, German and French. Perfect bound and side stapled wrappers. 112 [lx] pp. Multiple paper stocks. Fully illustrated articles in black and white and some color. Period furniture advertisements. Wrappers light worn but a very good or better copy.
10.25 x 10.18 magazine with 112 pages of articles and 60 pages of period furniture advertisements. The editors described their magazine thus: “Mobilia is an international subscription periodical for furniture, art, handicraft, etc. Mobilia is published in two issues, one of them in Danish and English, and the other one in Swedish and German, the text having been translated as a whole. Mobilia is issued to all members of Møbelfabrikantforeningen i Danmark [The Association of Danish Furniture manufacturers], of Møbelhandlernes Centralforening i Danmark [The Association of Furniture Dealers in Denmark], and of Indendørs Arkitekt Foreningen [The Association of Interior Architects]; in Sweden a collective subscription has been taken by Sveriges Möbelindustriförbund [The Association of Swedish Furniture Manufacturers]. “
Contents include:
- Movement In Art: Poul Henningsen
- Movements In Applied Art: Vernor Panton And Poul Henningsen
- Dialogue With A Remote Subscriber: Poul Henningsen
Features work by Alexander Calder, Jean Tinguely, Walter Linck, Marcel Duchamp, Richard Stankiewicz, Per Olof Ultvedt, Diter Rot, Yaacov Agam, Bugatti, Verner Panton, Louis Poulsen, Arne Jacobsen, Alvar Aalto, Vilhelmlauritzen, Jørgen Bo, Wilhelm Wohlert, Poul Henningsen, Mogens Jørgensen, and more.
Includes advertising work by FRance & Søn A/S, Finn Juhl, L. F. Foght, Grete Ehs, Aase Kristensen, Erik Ole Jørgensen, Carl F. Petersen, S. B. Feldballes Møbelfabrik, Kai Kristiansen, Hans J. Wegner, Salesorganization Salesco A/S, Swedese Möbler, Den Blaa Fabrik, Gabriel Fredericia, Tove Kindt-Larsen, Interna, Kristian Vedel, Nanna & Jørgen Ditzel, A/S Kolds Savværk, Georg Jensen, Magnus Stephensen, Olli Mannermaa, Scanform, Louis Poulsen, Jason Møbler, Steen Østergaard, Brande Møbelindustri, Rosengren Hansen, I. Thorballs Eftf., Kay Kørbing, P. Jeppersen, Grete Jalk, J. O. Carlsson, Karl-Erik Ekselius, N. O. Møller, Lyfa, Fritz Schlegel, Arne Jacobsen, Fritz Hansens Eft. A/S, Luxaflex, Erik Buck, Th, Tarp & Søn, Johs. Andersen, Chr. Linneberg, Vinde Møbelfabrik, Ejler Kristensen, Jørgen Kastholm, Preben Fabricius, Skalma A/S, Ølholm Møbelfabrik, Sigfred Omann, Næstved Møbelfabrik, Ejner Larsen, A. Bender Madsen, Bent Møller Jepsen, Sitamo Møbler, Snedkermester Aksel Kjersgaard, Sven Ellekaer, Erling Petersen, Knud Kristensen, Ærthøl Jensen, Mølholm Herning, Pirelli, Cotil, A/S Nordisk Solar Compagni, Jørn Utzon, P. Olsen Sibast I/S, and more.
In 1954 the four Scandinavian countries, Denmark, Sweden, Norway and Finland arranged what proved to be the most important marketing effort ever for Scandinavian design—the monumental exhibition Design in Scandinavia. From 1954 to 1957 Design in Scandinavia toured the United States and Canada. The exhibition was presented in 27 cities, and it was a huge success, initiated by The Danish Society of Arts and Crafts and its sister organizations in the other participating countries.
Based on the success the four countries established what they called the Scandinavian Design Cavalcade, which had a lot of US press coverage as well. In that connection the July 1959 issue of House Beautiful was centered around The Scandinavian Look in U.S. Homes, and it was Denmark and Danish Design in particular that the magazine focussed on. Besides the editorial pages, the numerous ads illustrates that Danish modern furniture was increasingly gaining a stronghold among certain groups of American consumers.
Importers and retail chains like John Stuart Inc., George Tanier, Raymor and Dunbar etc. now sold Danish modern furniture in the US, and by now it was not only hand crafted furniture from the Copenhagen Cabinetmakers’ Guild Exhibitions but also pieces from industrial furniture producers like Fritz Hansen, Søborg Møbelfabrik, Fredericia Furniture and many others. From the end of the 1950s Danish Department stores and other retailers produced comprehensive brochures and booklets in English with prices in US Dollars presenting Danish Design to American and other tourists.
Without exception, these stores all presented the narrative of Danish modern. “Denmark is known all over the world for its exquisite home furnishing, which are characterized by their outstanding design and superb craftsmanship” the department store Magasin claimed in its brochure “Danish Design.”