DESIGN FROM SCANDINAVIA: No. 9
Kirsten Bjerregaard [Editor]
Kirsten Bjerregaard [Editor]: DESIGN FROM SCANDINAVIA: No. 9. Copenhagen, Denmark: World Pictures, CA. 1976. Original edition. Text in English, French, German, and Danish. A nearly fine softcover book with printed stiff wrappers: lower corner gently bumped. Interior unmarked and very clean. Out-of-print.
9.25 x 12.5 softcover book with 143 pages with approx. 400 color illustrations. From the Publisher: “World Pictures is a Danish, family-owned publishing house, specialising in richly illustrated design publications for professionals and private design lovers all over the world.” The best of Scandinavian Design smelling of comfort, wood, and sunshine.
All pieces are identified by name and manufacturers information concerning dimensions and finishes. I suspect this information could be useful to some people out there.
- Visit Scandinavia: travel ideas
- Public Settings
- Furniture
- Textiles
- Lighting
- Industrial Design
- Scandinavia Abroad
- Index
Represented firms include Landslaget for Reiselivet, Sveriges Turistrad, Danmarks Tursistrad, Helsinger Turistforening, Kirsten Lundbergh A/S, Kristianstad Turistbyra, Margareta Forslund Design, Marimekko, Vuokko, Oy Indoor Design AB, Finnish Furniture Exporters’ Association, Mobelprodusentenes, Danish Manufacturers’ Association, Wegner Mobler, Designforum A-S, Aktieselskabet, Gram Taeppefabrik, Focus Belysning, Danmarks Nationalbank, Danish Furniture Manufcturers’ Association, Sveriges Riksbank, Swedish Furniture Manufacturers’ Association, System B8, SOOL, Johannes Hansen, Fritz Hansens, A/S Fredericia Stolefabrik, Munch Mobler A/S, E. Kold Christensen A/S, AB A. Klaessons Mobelfabrik, Gemla Fabrikers Aktiebolag, Canon Svenska AB, House of Sweden, Boras Wafveri AB, Boras Cotton Studio, Lammhults Mekaniska AB, Marks-Pelle Vavare AB, J. O. Carlsson AB, atelje Lyktan ab, Louis Poulsen and Co., Oy Airam Ab, Knud Holscher, HF Belysning, GNT Automatic A/S, Bang & Olufsen, Georg Jensen, A. Michelsen A/S, Royal Copenhagen Porcelain Manufacturey Ltd., Kastrup og Holmegaarde, Bing & Grondahl Copenhagen, Ole Kortzaus Tegnestue, Kvadrat, Viggo Holm Textilfabrik, Iittala Glassworks, Gabriel boligtextiler ApS, AB Kinnasand, Weston Taeppefabrik, Erik Jorgensen, J. L. Mollers Mobelfabrik, A/SH J. Withers Garveri, N. Eilersen A/S, Danish Art Weaving, L. F. Foght Aktieselskab, P. P. Mobler, Danish Furnituremakers’ Quality Control, Skovmand & Andersen, PP linie, Magnus Olesen A/S, Erik Boisens Mobelfabrik, Botium ApS, A/S C. Olesen, Johanson Design AB, Nobe Fabrikker A/S, Haimi Oy, NKR Miljo AB, Reska A/S, G. A. Serlachius, Akuma AB, Thomesto Oy, Sellgrens Veveri A/S, Bondo Gravesen, thans kvalitet, Norwood Ltd., Sibast Mobler A/S, Velledalen Fabriker a-s, Westnofa, Dux Mobel, SOK/Vakiopu Oy, Cado Royal System A/S, Artek, Muurame Oy, J. E. Ekornes Fabrikker A/S, Tranekaer Furniture, Hyssna International Ltd., Skanska Cementgjuteriet, AB Karl Andersson & Soner, Vatne Lenestolfabrikk A/S, and Berg Furniture.
In 1954 the four Scandinavian countries, Denmark, Sweden, Norway and Finland arranged what proved to be the most important marketing effort ever for Scandinavian design—the monumental exhibition Design in Scandinavia. From 1954 to 1963 Design in Scandinavia toured the United States and Canada. The exhibition was presented in 27 cities, and it was a huge success, initiated by The Danish Society of Arts and Crafts and its sister organizations in the other participating countries.
Based on the success the four countries established what they called the Scandinavian Design Cavalcade, which had a lot of US press coverage as well. In that connection the July 1963 issue of House Beautiful was centered around The Scandinavian Look in U.S. Homes, and it was Denmark and Danish Design in particular that the magazine focussed on. Besides the editorial pages, the numerous ads illustrates that Danish modern furniture was increasingly gaining a stronghold among certain groups of American consumers.
Importers and retail chains like John Stuart Inc., George Tanier, Raynor and Dunbar etc. now sold Danish modern furniture in the US, and by now it was not only hand crafted furniture from the Copenhagen Cabinetmakers’ Guild Exhibitions but also pieces from industrial furniture producers like Fritz Hansen, Søborg Møbelfabrik, Fredericia Furniture and many others. From the end of the 1950s Danish Department stores and other retailers produced comprehensive brochures and booklets in English with prices in US Dollars presenting Danish Design to American and other tourists.
Without exception, these stores all presented the narrative of Danish modern. “Denmark is known all over the world for its exquisite home furnishing, which are characterized by their outstanding design and superb craftsmanship” the department store Magasin claimed in its brochure “Danish Design.”